LEED AP BD+C V4 Exam Complete Study Guide (Building Design and Construction) by
PASS THE LEED AP BD+C EXAM WITH FLYING COLORS! The LEED AP BD+C V4 Exam Complete Study Guide aims to provide deep insight into the LEED requirements and the certification process and helps the reader to learn, rather than to memorize, all the essential information for the exam. This approach equips candidates to successfully pass the LEED AP BD+C exam with flying colors in order to actively apply the LEED requirements in real-life projects.This book is designed to be the only resource a candidate would need to successfully pass the exam. Even though the scope of the LEED AP BD+C exam includes heavy technical terms and principles that may seem confusing at first, the book enables the reader to fully grasp the information by simply demonstrating it. As a result, the need for further research and struggle on the same topic is avoided, and the candidate will be equipped with solid knowledge to coordinate LEED projects in real life.As LEED v4 is quite different from former versions, the book is entirely written for LEED v4 and is not updated from a previous edition. All of the chapters contain strong guidance on the aspects that require extensive attention while the book points out the finer details to focus on for exam purposes. The case studies throughout the book demonstrate the real-life application of LEED requirements, and the Key Things to Remember sections at the end of each prerequisite/credit point out those elements that may seem not so important but may be encountered as questions on the exam. With the completion of the book, the reader can use the summary sheets to reinforce knowledge and ensure solid exam preparation.The book is also recommended for students, professionals, and anyone who has not chosen to take an LEED® professional exam, but nonetheless retains a strong interest in LEED and green buildings.
Architecture and Anarchism by
A groundbreaking look at sixty works of anarchist architecture. This book documents and illustrates sixty projects, past and present, that key into a libertarian ethos and desire for diverse self-organized ways of building. They are what this book calls "anarchist" architecture, that is, forms of design and building that embrace the core values of traditional anarchist political theory since its divergence from the mainstream of socialist politics in the nineteenth century. As Architecture and Anarchism shows, a vast range of architectural projects reflects some or all of these values, whether they are acknowledged as specifically anarchist or not. From junk playgrounds to Freetown Christiania, Slab City to the Calais Jungle, isolated cabins to intentional communities--all are motivated by core values of autonomy, voluntary association, mutual aid, and self-organization. Taken as a whole, they are meant as an inspiration to build less uniformly, more inclusively, and more freely. This book broadens existing ideas about what constitutes anarchism in architecture and argues for its nurturing in the built environment. Understood in this way, anarchism offers a powerful way of reconceptualizing architecture as an emancipatory, inclusive, ecological, and egalitarian practice.
Architecture As Measure by
In light of the current political crisis around climate change, what can architecture possibly contribute towards a new planetary imaginary of our contemporary environment beyond environmentalism and technological determinism?Architecture as Measure is an elaboration on this question, and on the disciplinary and cultural potentials of such a provocation. It positions climate change as a cultural and political idea that requires a renewed architectural environmental imagination.The book takes on this task by presenting a set of unconventional collisions between architecture and climate change, which all extrapolate broader concerns of the city, environment, and geography through the lens of specific architectural questions such as form, representation and materiality. In that way, the book is an invitation to boost architecture's planetary effect by collapsing the centers and the peripheries of the discipline, by colliding its very outside with its very core interior.
Virtual interiorities by
book 1. When worlds collide -- book 2. The myth of total virtuality -- book 3. Senses of place and space
"Contemporary virtual reality is often discussed more in terms of popular consumer hardware. If you mention "VR" to the average person, they're going to picture someone donning goggles (and perhaps gloves). Yet the virtual we increasingly experience comes in many forms and is often more complex than wearable signifiers. This three-volume collection of essays from Carnegie Mellon University ETC Press examines the virtual beyond the headset. Here you will find multiple, sometimes unexpected entry points to virtuality--theme parks, video games, gyms, pilgrimage sites, art installations, screens, drones, film, and even national identity"--Publisher's website
Also available online at: https://press.etc.cmu.edu/publications/etc-press/book_series/virtual-interiorities
Lifeguard Towers: Miami by
NYC-based photographer Tommy Kwak brings Miami Beach to life After the destruction of Hurricane Andrew on Miami Beach in 1992, the lifeguard towers were commissioned to be redesigned in vibrant fashion to uplift the spirits of the town. In the tradition of the Becher's water tower series, this book of Tommy Kwak's photographs methodically examines the 30+ iconic towers that have become symbols of South Florida's revitalization. This award-winning series of photographs utilizes similar framing and long exposures to produce minimal sky and sea backdrops in order to highlight the traits of each tower, inviting the reader to appreciate and compare the electric color palettes and eccentric forms. This body of work shows Tommy's distinct approach recognizable by the composition of the pictures, sophisticated usage of the angles, and manipulation of light, shadow, and colors. Tommy's style of photography celebrates a kind of ephemeral beauty, and at the same time transforms these entities into more graphic forms, bringing a fresh perspective on the lifeguard towers of Miami Beach.
Metropolisarchitecture by
In the 1920s, the urban theory of Ludwig Hilberseimer (1885-1967) redefined architecture's relationship to the city. His proposal for a high-rise city, where leisure, labor, and circulation would be vertically integrated, both frightened his contemporaries and offered a trenchant critique of the dynamics of the capitalist metropolis. Hilberseimer's Großstadtarchitektur is presented here for the first time in an English translation. Its propositions encourage us to reconsider mobility, concentration, and the scale of architectural intervention in our own era of urban expansion.
What We See When We Read by
A gorgeously unique, fully illustrated exploration into the phenomenology of reading--how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader. "A playful, illustrated treatise on how words give rise to mental images." --The New York Times What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page--a graceful ear there, a stray curl, a hat positioned just so--and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved--or reviled--literary figures. In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature--he considers himself first and foremost as a reader--into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.
Space and Place in the Mexican Landscape by
Metaphysical conceptions have always influenced how human societies create the built environment. Mexico--with its rich culture, full of symbol and myth, its beautiful cities, and its evocative ruins--is an excellent place to study the interplay of influences on space and place. In this volume, the authors consider the ideas and views that give the constructed spaces and buildings of Mexico--especially, of Querétaro--their particular ambience. They explore the ways the built world helps people find meaning and establish order for their earthly existence by mirroring their metaphysical assumptions, and they guide readers through time to see how the transformation of worldviews affects the urban evolution of a Mexican city. The authors, then, construct a "metaphysical archeology" of space and place in the built landscape of Mexico. In the process, they identify the intangible, spiritual aspects of this land. Not only scholars of architecture, but also archeologists and anthropologists--particularly those interested in Mexican backgrounds and culture--will appreciate the authors' approach and conclusions.
Floor Plan Manual Housing by
The Floor Plan Manual Housing has for decades been a seminal work in the field of architecture. In its 5th, revised and expanded edition, approximately 160 international housing projects built after 1945 are documented and analyzed. The focus is on exemplary and transferrable projects, and on innovative and trendsetting concepts. The systematic representation of all projects allows the reader to compare and evaluate various floor plans - and to be inspired by the wealth of ideas and strategies for one's own design work. The introductory theoretical and historical essays have been newly written or updated, and offer a structured overview of the residential housing typology and its development.
The Community Food Forest Handbook by
Collaboration and leadership strategies for long-term success Fueled by the popularity of permaculture and agroecology, community food forests are capturing the imaginations of people in neighborhoods, towns, and cities across the United States. Along with community gardens and farmers markets, community food forests are an avenue toward creating access to nutritious food and promoting environmental sustainability where we live. Interest in installing them in public spaces is on the rise. People are the most vital component of community food forests, but while we know more than ever about how to design food forests, the ways in which to best organize and lead groups of people involved with these projects has received relatively little attention. In The Community Food Forest Handbook, Catherine Bukowski and John Munsell dive into the civic aspects of community food forests, drawing on observations, group meetings, and interviews at over 20 projects across the country and their own experience creating and managing a food forest. They combine the stories and strategies gathered during their research with concepts of community development and project management to outline steps for creating lasting public food forests that positively impact communities. Rather than rehash food forest design, which classic books such as Forest Gardening and Edible Forest Gardens address in great detail, The Community Food Forest Handbook uses systems thinking and draws on social change theory to focus on how to work with diverse groups of people when conceiving of, designing, and implementing a community food forest. To find practical ground, the authors use management phases to highlight the ebb and flow of community capitals from a project's inception to its completion. They also explore examples of positive feedbacks that are often unexpected but offer avenues for enhancing the success of a community food forest. The Community Food Forest Handbook provides readers with helpful ideas for building and sustaining momentum, working with diverse public and private stakeholders, integrating assorted civic interests and visions within one project, creating safe and attractive sites, navigating community policies, positively affecting public perception, and managing site evolution and adaptation. Its concepts and examples showcase the complexities of community food forests, highlighting the human resilience of those who learn and experience what is possible when they collaborate on a shared vision for their community.
The Art of Setting Stones by
In Japanese gardens, composition follows from placement of the first stone; all elements and plantings become interconnected. These eight essays on Kyoto gardens similarly begin with keen description and build into richly meditative excursions into art, Buddhism, nature, and science. Landscape architect Marc Keane shows how Japanese gardens are both a microcosm of the natural universe and a clear expression of our humanity, mirroring how we think, worship, and organize our lives and communities. Filled with passages of alluring beauty, this is a truly transcendent book about "experiencing" Japanese design. Marc Peter Keane, a graduate of Cornell University, is an American landscape architect and author. He has lived in Kyoto, Japan, for over 20 years and specializes in Japanese garden design.
Abstracting Craft by
The love of making things need not be confined to the physical world - electronic form giving can also be a rewarding hands-on experience. In this investigation of the possibility of craft in the digital realm, Malcolm McCullough observes that the emergence of computation as a medium, rather than just as a set of tools, suggests a growing correspondence between digital work and traditional craft.
Architect of letters : reading Hilberseimer by
News on Ludwig Hilberseimer! Ludwig Hilberseimer (1885-1967) is regarded as one of the leading theorists of the Neues Bauen movement in pre-War Germany, and of modern, functional urbanism. This set of accomplishments still dominates the public image of the architect, urban planner, teacher and art critic to this day. His development beyond that period has long been neglected. The essays in this collection seek to fill this gap, offering an exciting and wide-ranging new perspective on the work of a central protagonist of modernism. Until now, most critical studies of Hilberseimer's work came from his place of exile in Chicago and his work in Germany/Europe and the USA tended to be viewed separately; this volume is the first to attempt to end this separation and encourage a complete overview of is work. Previously unknown archival discoveries With contributions by Alexander Eisenschmidt, Magdalena Droste, Christine Mengin, Philipp Oswalt, Robin Schuldenfrei, Charles Waldheim and others
Videogame Atlas by
A dazzling look at modern videogame worlds seen through an architectural lens, utilizing maps, diagrams and graphic illustrations to offer new perspectives on the art of virtual world building. Videogame Atlas presents a journey through twelve well-known videogame worlds via panoramic maps, intricate exploded diagrams and detailed illustrations. The book offers a playful new way of seeing these beloved virtual worlds using the practices and academic rigour that underpins real-world architectural theory. Titles such as Minecraft, Assassin's Creed Unity and Final Fantasy VII are explored in exhaustive detail through over 200 detailed illustrations of the micro and macro, each with supporting commentary and architectural theory. Taking influence from high-end architectural monographs, the book is carefully designed to the smallest of details and its production is intricately executed. This book, printed in five colours, with neon ink throughout, is a culmination of Luke and Sandra's work, which includes founding the Videogame Urbanism studio at the Bartlett School of Architecture, UCL that promotes the use of game technologies in architectural education.
Radical Practice by
Radical Practice celebrates the extraordinary, award-winning designs of Marlon Blackwell Architects, an Arkansas-based firm with a focus on public and civic projects that are located outside of the established centers of architectural culture. The distinct and original work of Marlon Blackwell Architects has produced iconic and award-winning designs across building types, scales, and budgets. Located in Arkansas, the firm merges the universal language of architecture and the particulars of place, a process that has resulted in a distinguished body of work, from schools to parks and beyond. Celebrating thirty years of practice by the 2020 AIA Gold Medal-winning architect Marlon Blackwell, this survey of more than a dozen buildings pairs detailed drawings and the vivid photographs of renowned photographer Timothy Hursley with essays by leading designers, planners, and artists. Contributors include Tod Williams and Billie Tsien, architects of the Obama Presidential Center; Maurice Cox, Chicago's city planning director; Pritzker Prize-winning architect Thom Mayne, James Corner, landscape architect of the High Line, and environmental artist Mary Miss among many others--all of whom attest to Blackwell's reputation as a leading voice of his generation.
Oma NY by
The long-anticipated monograph on OMA New York by Shohei Shigematsu and Jason Long is sure to be the design and architecture book of the season. Presenting more than 20 radical architectural projects from a new generation of the firm, this mammoth volume is the first compendium by OMA, since Content and Rem Koolhaas's S, M, L, XL. Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as "a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond." OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA's philosophy even as they expand its portfolio geographically. Featured projects (led by partners Shohei Shigematsu and Jason Long) include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec's Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators--Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani--who provide insight onto areas of the firm's interests and preoccupations beyond the realm of architecture.
Out of Architecture by
Out of Architecture is both a call to reassess the architecture profession and its education, and a toolkit for graduates and working architects to untangle their skills, passions, and value from traditional architectural practice and consider alternate pathways. Written by design professionals and expert career consultants, this book is informed by numerous client accounts as well as the authors' own stories and routes out of architecture. The initial chapters follow the narrative of a typical architecture training in the US, highlighting the many highs and lows, skills honed, and ultimately the huge disconnect that can occur between architectural education and practice. Subsequent chapters explore a disillusionment with the profession, unhealthy work cultures, mentorship, working with lead architects, toxic perfectionism, and the notion of a "calling." Authors then present the hopeful accounts of many architects who escaped a profession known for its grueling working conditions to find fulfilling, well-paying, creative jobs that better utilize the skills of architecture than the architectural profession itself. Written in a unique combination of storytelling and analysis, this patchwork of client and author stories makes for an immersive, provocative, and enjoyable read. A wide range of architecture students, graduates, educators, and professionals will recognize themselves within the pages of this book and find prompts to reassess their working practices, teaching styles, and the profession itself. It will be of particular value to those students skeptical of joining the architecture workforce, as well as those further along and considering a career change.
The Architecture of Disability by
A radical critique of architecture that places disability at the heart of the built environment Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for "the construction of disability," this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space. By recontextualizing the history of architecture through the discourse of disability, The Architecture of Disability presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.
Álvaro Siza, 2015-2022 : autorretrato = self portrait
Biografía = Biography -- Fundación Nadir Afonso en Chaves = Nadir Afonso Foundation, Chaves -- The Building on the Water: Fábrica Shilien Chemical Industrial en Jiangsu = The Building on the Water: Shilien Chemical Industrial Factory, Jiangsu -- Museo Internacional de Escultura Conteporánea [MIEC] en Santo Tirso = International Museum of Contemporary Sculpture [MIEC], Santo Tirso -- Teatro-Auditorio de Llinars del Vallès = Llinars del Vallès Theatre-Auditorium -- Mausoleo Chia Ching en Nuevo Taipei = Chia Ching Mausoleum, New Taipei CIty -- Iglesia en Saint-Jacques-de-la-Lande = Church in Saint-Jacques-de-la-Lande -- Museo de Diseño de China. Colección Bauhaus = China Design Museum, Bauhaus Collection -- Pabellón de Arte, Capilla y Belvedere en Saya Park = Art Pavilion, Chapel and Belvedere in Saya Park -- Pabellón del Barro en Oaxaca = Clay Pavilion in Oaxaca -- Capela do Monte en Lagos = Capela do Monte, Lagos -- Casa do Cinema Manoel Oliveira en Oporto = Cinema House Manoel Oliveira, Porto -- Complejo Residencial en Gallarate = Residential complex in Gallarate -- Casa en Maia = House in Maia -- Museo Huamao de Educación de Arte [MoAE] en Ningbo = Huamao Museum of Art Education [MoAE], Ningbo -- Capilla en Miljana = Chapel in Miljana -- Club de Golf de Taifong = Taifong Golf Club -- Casa Vila Adeuzinho en Sintra = Vila Adeuzinho House, Sintra -- Casa Sede de la Fundación Gramaxo en Maia = Gramaxo Foundation Headquarters, Maia -- Torre de Observación con Puesto de Vigía en la Serra das Talhadas = Observation Tower with Lookout Post, Serra das Talhadas -- Torre en Manhattan = Tower in Manhattan -- Alcaide Mor - Suites y Villas en Estremoz = Alcaide Mor - Suites and Villas, Estremoz -- Puerto Fluvial Vais do Cavaco en Vila Nova da Gaia = Caid do Cavaco River Port, Vila Nova da Gaia -- El Detalle Invisible: Tres encuentros con Álvaro Siza - The invisible detail: three encounters with Álvaro Siza / Inmaculada Maluenda and Enrique Encabo
Urban Histories in Practice: Morphologies and Memory by
"This volume brings together ideas about the material and social transformation of cities by asking, “what is the relationship between history, memory, and the contemporary city?” The urgency of this question grows in the contexts of rapid urbanization in the Global South and urban decline in the deindustrializing areas of the Global North. Within these spaces, multiple disciplines shape our capacity to know the contemporary city. The work presented here invites the reader to undertake critical and creative approaches regarding how these disciplines might shape this process, ultimately making it more equitable and just.
Using various methods, the contributors engage in critical readings of specific built and discursive legacies in numerous global contexts. Differing forms of a social agenda permeate each piece, but none is utopian or totalizing. Rather, the emphasis is on various forms of close reading. The authors begin with the city as found and address each context in specific and precise terms. The contributions here bring together histories in critical and creative ways, while also catalyzing future possibilities. In this way, these writings frame urban history and morphology discourse not only as arenas for theoretical posturing, but also as calls for action."
Building for Change by
Architects are adapting existing buildings to create new spaces for a more conscious future.The urban fabric changes more slowly than our spatial needs, accelerated by digital technologies and new lifestyles. The trick for canny architects lies in an ingenious reuse and creative recycling that result in the stunning transformation of existing buildings for new purposes.Building for Change explores this architecture of reuse and adaptation. It presents sofa factories turned coworking hub, viaducts turned community garden, department stores turned cultural center, and other inspiring projects. The book also showcases spaces that are designed to be dismantled and repurposed down the line. This architecture of care is aspirational and ambitious: to make construction more sustainable and buildings fit for the future.
Googie Modern by
A highly visual monograph of plans and concept drawings from the Armet Davis Newlove firm, the creator of what became known as "Googie Modern." In Googie Modern: Architectural Drawings of Armet Davis Newlove, author Michael Murphy takes readers inside the private archives of the forward-thinking trio dubbed the "fathers of Googie." Inspiring not just artists and filmmakers but the public at large, their futuristic coffee shops and restaurants made dining out a space-age experience, just as man was ready to walk on the moon. Armet Davis Newlove's architecture captured the optimistic and forward-thinking mood in post-war America and set the bar for what would become Mid-Century Modern style. The firm's high-concept designs shaped Southern California and then took off across the American landscape, giving the US innovative, practical, and gorgeous monuments of everyday life. Each remarkable rendering demonstrates the passion and precision that went into every Armet Davis Newlove creation. Googie Modern is itself a monument to the excitement and optimism that once lined the streets of mid-century America.
Gentrification Is Inevitable and Other Lies by
How Gentrification is killing our cities, and what we can do about it What does gentrification look like? Can we even agree that it is a process that replaces one community with another? It is a question of class? Or of economic opportunity? Who does it affect the most? Is there any way to combat it? Leslie Kern, author of the best selling Feminist City, travels from Toronto, New York, London, Paris and San Francisco and scrutinises the myth and lies that surround this most urgent urban crisis of our times. First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, this devastating process of displacement now can be found in every city and most neighbourhoods. Beyond the Yoga studio, farmer's market and tattoo parlour, gentrification is more than a metaphor, but impacts the most vulnerable communities. Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. But if gentrification is not inevitable, what can we do to stop the tide? In response, Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.
The Architecture of Suspense by
The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcock's relation to the built world was informed by an intense engagement with location and architectural form--in an era marked by modernism's advance--fueled by some of the most creative midcentury designers in film. Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purpose--to capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans' everyday experiences as well as their own uncertain relationship with their environment and with each other. French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that film's tragic finale), and takes us to the actual buildings that served as the inspiration for Psycho's infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyle's design of the modernist house from the film's celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villain's lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcock's films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world. Publication of this volume was assisted by a grant from Furthermore: a program of the J. M. Kaplan Fund
Undergraduate Research in Architecture by
Undergraduate Research in Architecture: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of architecture study. Undergraduate research has become a common degree requirement in some disciplines and is growing rapidly. Many undergraduate activities in music have components that could be combined into compelling undergraduate research projects, either in the required curriculum, as part of existing courses, or in capstone courses centered on undergraduate research. Following an overview chapter, the next seven chapters cover research skills including literature reviews, choosing topics, formulating questions, citing sources, disseminating results, and working with data and human subjects. A wide variety of sub-disciplines follow in the remaining chapters, with sample project ideas from each as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources. Included are some inspirational quotations concerning architecture's commitment to research, and some examples of professional research that support the focus of the chapter. All chapters end with relevant questions for discussion.
Greg Lynn Form by
Edited by Mark Rappolt with contributions by: J. G. Ballard, Chris Bangle, Rene Daalder, Sonia Eram, Imaginary Forces, Brian C. Goodwin, Jeffrey Kipnis, Sylvia Lavin, Ross Lovegrove, Ari Marcopoulos, Peter Schroder, and Bruce Sterling.One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design in architecture and design, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. Included are contributions from theorists, architects, and artists, and futurists such as J. G. Ballard and Bruce Sterling. Greg Lynn Form offers a window into Lynn’s methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn’s career, it is thought-provoking and forward-looking.
When Eero Met His Match by
A uniquely personal biographical account of Louchheim's life and work that takes readers inside the rarified world of architecture media Aline B. Louchheim (1914-1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. When Eero Met His Match draws on the couple's personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim's gradual takeover of Saarinen's public narrative in the 1950s, the decade when his career soared to unprecedented heights. Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen's work would not have been nearly as well known. Providing a new understanding of postwar architectural history in the United States, When Eero Met His Match is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
Lina Bo Bardi, Drawings by
The first authoritative collection of drawings by legendary modern architect Lina Bo Bardi Lina Bo Bardi (1914-1992) was one of the most prolific and visionary architects of the twentieth century. Raised in Italy under Mussolini's Fascist regime and emigrating to Brazil after World War II, she championed the power of architecture and design to embrace everyday life. Her boldly modernist designs range from concrete-and-glass structures like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia to furniture and jewelry. This is the first book to examine one of the most intimate and expressive features of her life and work, but one she rarely shared with the public--drawing. Bo Bardi produced thousands of drawings in her lifetime, from picturesque landscapes drawn when she was a child, to sketches made as part of her daily routine as an architect, to fanciful drawings that show different aspects of her private life. In this beautifully illustrated book, Zeuler Lima, the world's leading authority on Bo Bardi, brings together a careful selection of these and other drawings, many of them never published until now. Bo Bardi drew on card stock, tracing paper, regular paper, and newsprint. She used pencils, watercolor, gouache, ballpoint pens, and felt-tips, producing drawings that combined surrealist elements with an eye for color and joyful forms. Lina Bo Bardi, Drawings sheds critical light on the creative sensibility behind some of the twentieth century's most striking modernist designs, and provides a rare window into the design practice of an architect like no other. Published in association with the Fundació Joan Miró
Our Days Are Like Full Years by
An intimate glimpse into the professional and romantic relationship between Harriet Pattison and the renowned architect Louis Kahn On a winter day in 1953, a mysterious man in a sheepskin coat stood out to Harriet Pattison, then a theater student at Yale. She would later learn he was the architect Louis Kahn (1901-1974). This chance encounter served as preamble to a fifteen-year romance, with Pattison becoming the architect's closest confidante, his intellectual partner, and the mother of his only son. Here for the first time, Pattison recounts their passionate and sometimes searing relationship. Married and twenty-seven years her senior, Kahn sent her scores of letters--many from far-flung places--until his untimely death. This book weaves together Pattison's own story with letters, postcards, telegrams, drawings, and photographs that reveal Kahn's inner life and his architectural thought process, including new insight into some of his greatest works, both built and unbuilt. What emerges is at once a poignant love story and a vivid portrait of a young woman striving to raise a family while forging an artistic path in the shadow of her famous partner.
Louis Kahn: the Importance of a Drawing by
An intimate guided journey into Louis Kahn s craft and imagination, this book weaves its texts around the drawings of Kahn and his associates to accompany this master architect on his creative search "The importance of a drawing is immense, because it's the architect's language," said the architect Louis Kahn to his masterclass in 1967. While most studies of Kahn focus on his built works or theory and use drawings mainly to illustrate these, this publication chooses to focus on Kahn's drawings as primary sources of insight into his architectural intelligence and imagination. Lavishly illustrated with over 900 high-quality reproductions of work by Kahn and his associates, incisively presented by a group of acclaimed architectural experts, The Importance of a Drawing is a deep immersion into Kahn's work and his design process. A testament to Kahn's masterly craft, this volume also makes a provocative primer on architectural representation by posing timely questions on how architects use drawings to see, learn, conjecture and reveal. Destined to become a standard reference on Kahn, this book is an essential addition to the libraries of established designers as well as students of architecture. The result of years of extensive research, The Importance of a Drawing contains original contributions and historical texts from Michael Merrill, Michael Benedikt, Michael B. Cadwell, Louis I. Kahn, Nathaniel Kahn, Sue Ann Kahn, David Leatherbarrow, Michael J. Lewis, Robert McCarter, Marshall D. Meyers, Jane Murphy, Harriet Pattison, Gina Pollara, Colin Rowe, David Van Zanten, Richard Wesley and William Whitaker. Louis Kahn (1901-74) was an Estonian-born American architect who called Philadelphia his home. Trained in the tradition of the École des Beaux-Arts, Kahn was later able to fuse a progressive modern agenda with the poise of ancient monuments into a work of seminal and lasting importance. His major works include the National Parliament in Dhaka, Bangladesh; the Salk Institute in La Jolla, California; the Kimbell Art Museum in Fort Worth Texas; and the posthumously realized Four Freedoms Park on Roosevelt Island in New York City. Kahn was a revered educator, teaching at the Yale School of Architecture from 1947 to 1957 and then at the University of Pennsylvania until his death.
Wild by Design by
Can nature--in all its unruly wildness--be an integral part of creative landscape design? In her beautifully illustrated book, Wild by Design, award-winning designer Margie Ruddick urges designers to look beyond the rules often imposed by both landscaping convention and sustainability checklists. Instead, she offers a set of principles for a more creative and intuitive approach that challenges the entrenched belief that natural processes cannot complement high-level landscape design. Wild by Design defines and explains the five fundamental strategies Ruddick employs, often in combination, to give life, beauty, and meaning to landscapes: Reinvention, Restoration, Conservation, Regeneration, and Expression. Drawing on her own projects--from New York City's Queens Plaza, formerly a concrete jungle of traffic, to a desertscape backyard in Baja, California, to the Living Water Park in Chengdu, China--she offers guidance on creating beautiful, healthy landscapes that successfully reconnect people with larger natural systems. A revealing look into the approach of one of sustainable landscape design's most innovative practitioners, Wild by Design stretches the boundaries of landscape design, offering readers a set of broader, more flexible strategies and practical examples that allow for the unexpected exuberance of nature to be a welcome part of our gardens, parks, backyards, and cities.
Mark Foster Gage Architecture in High Resolution by
In the course of a ten-month invited competition Mark Foster Gage Architects, using tools ranging from artificial intelligence to 3D fractal software, re-invented the design languages of the ancient Nabatean civilization located on the Arabian Peninsula to propose the first Saudi resort in the modern era that would be open for international tourists.Isolated in a vast desert, with little infrastructure and virtually no visitors, lie the ancient ruins of Mada'in Saleh, and the site for the project. With five-hundred pages and over 1,500 images this is a book that documents the design process of this project, complete with all of its ideas, misdirections, failures, restarts, breakthroughs, and everything in-between. Of interest to architects and non-architects alike, this book heralds a new generation of creative techniques and design technologies that promise to redefine how we think of the past, present and future of the built environment in the 21st century and beyond. With contributions by: Karel Klein, David Ruy, Mitch McEwen, Amina Blacksher, Ferda Kolatan, Tom Wiscombe, Ellie Abrons, Adam Fure, Michael Young, Jimenez Lai, Kristy Balliet, Elena Manferdini, Florencia Pita
Eric Owen Moss: the New City by
Eric Owen Moss: The New City will appeal especially to city and urban planners, developers involved in urban restoration and renewal, young architects and students and anyone interested in advanced design such as seen in that of Frank Gehry, Thom Mayne, or Zaha Hadid. How many rundown industrial areas have ever been transformed by avant-garde, radical architects? None, right? None, that is, until Eric Moss began his interventions in Culver City. There, in the " New City" of this book, a unique blend of funk, fashion, and fantasy is blossoming into one of the most daring visions of urban design ever imaginable, with over 50 projects completed to date.
Architecture and Labor by
Through a collection of 13 chapters, Peggy Deamer examines the profession of architecture not as an abstraction, but as an assemblage of architectural workers. What forces prevent architects from empowering ourselves to be more relevant and better rewarded? How can these forces be set aside by new narratives, new organizations and new methods of production? How can we sit at the decision-making table to combat short-term real estate interests for longer-term social and ethical value? How can we pull architecture--its conceptualization, its pedagogy, and its enactment--into the 21st century without succumbing to its neoliberal paradigm? In addressing these controversial questions, Architecture and Labor brings contemporary discourses on creative labor to architecture, a discipline devoid of labor consciousness. This book addresses how, not just what, architects produce and focuses not on the past but on the present. It is sympathetic to the particularly intimate way that architects approach their design work while contextualizing that work historically, institutionally, economically, and ideologically. Architecture and Labor is sure to be a compelling read for pre-professional students, academics, and practitioners.
From Fallow by
From Fallow is a curated collection of 100 ideas for abandoned property. Through drawing and text each idea is elaborated and each entry serves both as documentation and speculation. The intention, here, is to think differently about pre-existing conditions and to be particular about them. I offer examples of different spatial characteristics around abandonment in North American legacy cities. The variations are mesmerizingly complicated and varied. A vacant lot is never one thing. Terrains have different scales, elevations, adjacencies, uses, climates and cultures. And just as no one territory is the same, so no one idea is sufficient. The goal, in considering these disparate ideas, is not to imagine any singular solution but to understand the many possibilities. Ideas can be tested, substituted and combined.
Cyclical City by
As cities evolve and resources shift with time, spaces within those cities are often left fallow and abandoned. Cyclical City tells the stories behind these sites, from Philadelphia's Liberty Lands park to Lisbon's Green Plan, and it looks at the ways in which these narratives can be leveraged toward future engagement and use. Jill Desimini posits a fundamental role for spatial design practice to transform abandoned urban landscapes through time. She argues for approaches that promote the specific affordances of the land itself (hydrology, vegetation, topography, geology, infrastructural capacity, occupation potential); the importance of cyclical change; and the particularities of the cultural, political, and physical context. These themes are explored in five cities--Philadelphia, Berlin, Lisbon, Amsterdam, and Saint Louis--and across centuries, from periods of great upheaval to ones of relative stability and even economic growth. Desimini considers what landscape-driven design can bring to cities losing people and economic resources, how design practice can be more inclusive in a context of market failure, and the ways in which abandoned landscapes can become our commons. Preparation of this volume has been supported by Furthermore: a program of the J. M. Kaplan Fund
What I've Learned by
The regular feature What I've Learned in Frame magazine opens the door for readers to discover m ore about their favourite designers and architects. In candid interviews, these individuals not only reflect on the path their careers have taken them and the industry at large; they also talk about beliefs and experiences that have shaped their lives. The interviews are presented in the first person: the designer/architect opens up and tells readers their own thoughts, memories, opinions, stories, etc. in a candid, warm and honest fashion. Revisiting each of these interviews for compilation into this new book, What I've Learned includes new material and further insights. The accompanying visuals are serious or playful, depending on the interview subject; always with portraits capturing their character in unique and individual ways. The book does also featu re the most important projects or products with which these established creatives made their name, but in a personal way with the intricacies of real - life woven in. The creative conversations illustrated in this title demonstrate the strengths and inspira tional vision of personalities such as Tom Dixon, Jaime Hayon, Piero Lissoni, Ingo Maurer, Inga Sempe and Patricia Urquiola, making this a vital book for anyone interested the design industry.
Problem Solving and Critical Thinking for Designers by
The essential guide to decision making and problem solving for the interior designer The interior design profession requires effective problem solving and critical thinking, as they impact all phases of the design project and most work activities of the interior designer. Whether you are a student or professional designer, much of what you do involves these skills. Although most of us do not even think about what we do in terms of these activities, they are a constant part of design. They are also skills that must be performed successfully outside a professional career. Improving these skills makes you a more sought-after employee and designer, effective business owner, and fulfilled individual. Problem Solving and Critical Thinking for Designers will put the reader on the correct path to a solutions-oriented practice. Using her trademark accessible and conversational approach, Christine Piotrowski guides readers through the process of how the working designer solves problems and makes decisions. Some of the topics she discusses are: Design process Communication Asking questions Problem definition and analysis Decision-making process Negotiation Working with others Ethical decision making This book also features real-life scenarios and design problems that guide the reader toward making correct decisions in real-life situations.
Perspecta 54 (The possibility of Atopia : an unmanifesto ) by
Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries--geopolitical, virtual, technical, disciplinary--offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry--particularly the location of modes of complicity, agency, and resistance within larger structures--are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.
Radical Pedagogies by
Experiments in architectural education in the post-World War II era that challenged and transformed architectural discourse and practice. In the decades after World War II, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms, decentered building, imagined new roles for the architect, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned, terminated, or assimilated, they nevertheless helped shape and in some sense define architectural discourse and practice. This book explores and documents these radical pedagogies and efforts to defy architecture's status quo. The experiments include the adaptation of Bauhaus pedagogy as a means of "unlearning" under the conditions of decolonization in Africa; a movement to design for "every body," including the disabled, by architecture students and faculty at the University of California, Berkeley; the founding of a support network for women interested in the built environment, regardless of their academic backgrounds; and a design studio in the USSR that offered an alternative to the widespread functionalist approach in Soviet design. Viewed through their dissolution and afterlife as well as through their founding stories, these projects from the last century raise provocative questions about architecture's role in the new century.
Design after Capitalism by
How design can transcend the logics, structures, and subjectivities of capitalism: a framework, theoretical grounding, and practical principles. The designed things, experiences, and symbols that we use to perceive, understand, and perform our everyday lives are much more than just props. They directly shape how we live. In Design after Capitalism, Matthew Wizinsky argues that the world of industrial capitalism that gave birth to modern design has been dramatically transformed. Design today needs to reorient itself toward deliberate transitions of everyday politics, social relations, and economies. Looking at design through the lens of political economy, Wizinsky calls for the field to transcend the logics, structures, and subjectivities of capitalism--to combine design entrepreneurship with social empowerment in order to facilitate new ways of producing those things, symbols, and experiences that make up everyday life. After analyzing the parallel histories of capitalism and design, Wizinsky offers some historical examples of anticapitalist, noncapitalist, and postcapitalist models of design practice. These range from the British Arts and Crafts movement of the nineteenth century to contemporary practices of growing furniture or biotextiles and automated forms of production. Drawing on insights from sociology, philosophy, economics, political science, history, environmental and sustainability studies, and critical theory--fields not usually seen as central to design--he lays out core principles for postcapitalist design; offers strategies for applying these principles to the three layers of project, practice, and discipline; and provides a set of practical guidelines for designers to use as a starting point. The work of postcapitalist design can start today, Wizinsky says--with the next project.
Eileen Gray, Designer and Architect by
A smartly designed and beautifully illustrated look at the life and work of an elusive and influential designer and architect Eileen Gray (1878-1976) was a versatile designer and architect who navigated numerous literary and artistic circles over the course of her life. This handsome volume chronicles Gray's career as a designer, architect, painter, and photographer. The book's essays, featuring copious new research, offer in-depth analysis of more than 50 individual designs and architectural projects, accompanied by both period and new photographs. Born in Ireland and educated in London, Gray proceeded to Paris where she opened a textile studio, studied the Japanese craft of lacquer that would become a primary technique in her design work, and owned and directed the influential gallery and store known as "Jean Désert." Gray struggled for acceptance as a largely self-taught woman in male-dominated professions. Although she is now best known for her furniture, lighting, and carpets, she dedicated herself to many architectural and interior projects that were both personal and socially driven, including the Villa E 1027, the iconic modern house designed with Jean Badovici, as well as economical and demountable projects, such as the Camping Tent.
Basics Interior Architecture 03: Drawing Out the Interior by
Basics Interior Architecture 03: Drawing Out the Interior is a comprehensive introduction to the representation of interior space through drawing and modelling. The book introduces the reader to a range of techniques and methods and describes when and where to use them. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. The text is supported by detailed studies of contemporary work, alongside activities and resources. Starting with what is meant by interior architecture and why designers draw in the first place, it goes on to explore what one might draw and when. It considers the idea that the method we choose to draw with influences the way we think and therefore what we design. It includes sketches and drawings from Le Corbusier, Iannis Xenakis, Mies van der Rohe and Carlo Scarpa.
Architectural Acoustics Illustrated by
Unite the science of sound and the principles of design to enhance any space Architectural Acoustics Illustrated translates the quantitative and qualitative content of acoustics into the graphic language of architecture. This highly-visual guide includes over 350 illustrations that outline the physics of sound and the best design practices for limiting or mitigating noise in buildings by using the latest in materials and techniques. Each chapter includes a summary checklist of design guidelines to help prevent mistakes and oversights, and the Instructor's website offers video animations demonstrating acoustical concepts. Designed as a "first look" at the interaction of sound and space, the book explains the principles of architectural acoustics and their practical applications, providing a comprehensive guide for designing with acoustics in mind. Architectural acoustics is more than just concert halls - it may determine building placement, division of interior space, exterior construction, and even siting. When addressed early in the design process, the resulting space can be free of unwanted sound and promote good hearing; if left unaddressed, the problems with the space can lead to lawsuits and costly post-construction remediation. Architectural Acoustics Illustrated helps designers solve most acoustical problems in advance, by enabling readers to: Understand the physical science underlying the behavior of sound Consider the interactions of sound and space in the initial design approach Mitigate building sounds such as those produced by HVAC and plumbing with early design planning Design spaces for listening, and incorporate acoustics best practices into every plan The highly visual format of the book helps readers grasp complex concepts quickly, and thorough discussion of each concept's real-world application ties the science directly into the design process. All design professionals need to have a fundamental understanding of acoustics, and Architectural Acoustics Illustrated is a comprehensive, practical guide in an easy-to-read format.
Post Cinematic Affect by
Post-Cinematic Affect is about what it feels like to live in the affluent West in the early 21st century. Specifically, it explores the structure of feeling that is emerging today in tandem with new digital technologies, together with economic globalization and the financialization of more and more human activities. The 20th century was the age of film and television; these dominant media shaped and reflected our cultural sensibilities. In the 21st century, new digital media help to shape and reflect new forms of sensibility. Movies (moving image and sound works) continue to be made, but they have adopted new formal strategies, they are viewed under massively changed conditions, and they address their spectators in different ways than was the case in the 20th century. The book traces these changes, focusing on four recent moving-image works: Nick Hooker's music video for Grace Jones' song Corporate Cannibal; Olivier Assayas' movie Boarding Gate, starring Asia Argento; Richard Kelly's movie Southland Tales, featuring Justin Timberlake, Dwayne Johnson, and other pop culture celebrities; and Mark Neveldine and Brian Taylor's Gamer.
The Universe of Things by
From the rediscovery of Alfred North Whitehead's work to the rise of new materialist thought, including object-oriented ontology, there has been a rapid turn toward speculation in philosophy as a way of moving beyond solely human perceptions of nature and existence. Now Steven Shaviro maps this quickly emerging speculative realism, which is already dramatically influencing how we interpret reality and our place in a universe in which humans are not the measure of all things. The Universe of Things explores the common insistence of speculative realism on a noncorrelationist thought: that things or objects exist apart from how our own human minds relate to and comprehend them. Shaviro focuses on how Whitehead both anticipates and offers challenges to prevailing speculative realist thought, moving between Whitehead's own panpsychism, Harman's object-oriented ontology, and the reductionist eliminativism of Quentin Meillassoux and Ray Brassier. The stakes of this recent speculative realist thought--of the effort to develop new ways of grasping the world--are enormous as it becomes clear that our inherited assumptions are no longer adequate to describe, much less understand, the reality we experience around us. As Shaviro acknowledges, speculative realist thought has its dangers, but it also, like the best speculative fiction, holds the potential to liberate us from confining views of what is outside ourselves and, he believes, to reclaim aesthetics and beauty as a principle of life itself. Bringing together a wide array of contemporary thought, and evenhandedly assessing its current debates, The Universe of Things is an invaluable guide to the evolution of speculative realism and the provocation of Alfred North Whitehead's pathbreaking work.
Inside Outside by
Petra Blaisse and her firm, Inside Outside, specialize in the rare combination of interior and landscape design, interweaving architecture and context. Interior projects use materials that introduce visual effects such as color, flexibility, seasonal change, and movement and solve acoustic, climatic, shading, and spatial issues. Landscape projects reflect a fascination with materials, light, and movement within an urban and infrastructural program. This approach brings forth a series of strong, multilayered garden and park designs that combine logistics with rich planting schemes and graphic effects. Inside Outside introduces the full range of Blaisse’s work, focusing on collaborations with internationally renowned architects including Rem Koolhaas and SANAA. It weaves together descriptions and documentation of more than fifty projects, a conversation with the designer, and essays by renowned writers and critics.
Cruces de memoria y olvido : los monumentos a los caídos de la Guerra Civil española (1936-2021) by 
Modern Construction Handbook by
Owing to regular revision, the Modern Construction Handbook has become a classic in advanced building construction literature, not least because of its clear structure covering the chapters "Material", "Wall", "Roof", "Structure", "Environment", and "Applications". For the fifth edition, a large part of the 3D presentations has been redrawn, all six chapters have been revised and updated. New standards have been established for this handbook, which is a basic resource for many architectural study courses, by adding more component details, new examples with a focus on sustainability and energy consumption, and a major update on finite element analysis (FEA) and computational fluid dynamics (CFD).
Building Construction Illustrated by
The #1 visual guide to building construction principles, updated with the latest materials, methods, and systems For over four decades, Building Construction Illustrated has been the leading visual guide to the principles of building construction. Filled with rich illustrations and in-depth content by renowned author Francis D.K. Ching, it offers students and practicing professionals the information needed to understand concepts in residential and commercial construction, architecture, and structural engineering. This Sixth Edition of Building Construction Illustrated has been revised throughout to reflect the latest advancements in building design, materials, and systems, including resilient design, diagrids, modular foundation systems, smart façade systems, lighting sources, mass timber materials, and more. It features new illustrations and updated information on sustainability and green building, insulation materials, and fire-rated wall and floor assemblies. This respected, industry standard guide remains as relevant as ever, providing the latest in codes and standards requirements, including IBC, LEED, and CSI MasterFormat. This Sixth Edition: The leading illustrated guide to building construction fundamentals, written and detailed in Frank Ching's signature, illustrative style Includes all new sections on resilient design; diagrids; modular foundation systems; smart façade types and systems; lighting sources and systems; and mass timber materials, cross laminated timber (CLT) and nail laminated timber (NLT) Revised to reflect that latest updates in codes and standards requirements: 2018 International Building Code (IBC), LEED v4, and CSI MasterFormat 2018 Includes updated information on sustainability and green building; insulation materials; stair uses; stoves and inserts; and fire-rated wall and floor assemblies Building Construction Illustrated, Sixth Edition is an excellent book for students in architecture, civil and structural engineering, construction management, and interior design programs. Ching communicates these core principles of building construction in a way that resonates with those beginning their education and those well into their careers looking to brush up on the basics. Building Construction Illustrated is a reliable, lifelong guide that practicing architects, engineers, construction managers, and interior designers, will turn to time and again throughout their careers.
Interior design materials and specifications by
This complete guide to the selection of materials for interiors has been updated to reflect the most recent materials on the market and contemporary awareness on industry movements like sustainability. Written from the viewpoint of the working designer, Interior Design Materials and Specifications, 4th Edition, describes each material's characteristics and teaches students how to evaluate, select, and specify materials, taking into account factors including code compliance, building standards, sustainability guidelines, human needs, and bidding processes. Students will learn how to communicate with suppliers and vendors to achieve the results they envision and how to avoid some of the pitfalls common to material selection and specification"-- Provided by publisher
Constructing Architecture by
Systematically structured and prepared with the student in mind, the book conveys in one volume the necessary basic technical building construction knowledge to enable readers to implement a wide range of designs. For this reason, over the last 14 years, it has developed into an indispensable information and reference handbook, not only for students and teachers, but also for architects. The 4th edition of this standard work for building construction has again been revised in terms of content and illustrations. References to standards, thermal insulation standards, and some project examples have been updated; they are now comprehensively and systematically documented, explaining the design process from start to finish.
Fundamentals of Building Construction by
THE #1 REFERENCE ON BUILDING CONSTRUCTION--UPDATED FROM THE GROUND UP Edward Allen and Joseph Iano's Fundamentals of Building Construction has been the go-to reference for thousands of professionals and students of architecture, engineering, and construction technology for over thirty years. The materials and methods described in this new Seventh Edition have been thoroughly updated to reflect the latest advancements in the industry. Carefully selected and logically arranged topics--ranging from basic building methods to the principles of structure and enclosure--help readers gain a working knowledge of the field in an enjoyable, easy-to-understand manner. All major construction systems, including light wood frame, mass timber, masonry, steel frame, light gauge steel, and reinforced concrete construction, are addressed. Now in its Seventh Edition, Fundamentals of Building Construction contains substantial revisions and updates. New illustrations and photographs reflect the latest practices and developments in the industry. Revised chapters address exterior wall systems and high-performance buildings, an updated and comprehensive discussion of building enclosure science, evolving tools for assessing environmental and health impacts of building materials, and more. New and exciting developments in mass timber construction are also included. This Seventh Edition includes: 125 new or updated illustrations and photographs, as well as 40 new photorealistic renderings The latest in construction project delivery methods, construction scheduling, and trends in information technology affecting building design and construction Updated discussion of the latest LEED and Living Building Challenge sustainability standards along with expanded coverage of new methods for assessing the environmental impacts of materials and buildings Expanded coverage of mass timber materials, fire resistance of mass timber, and the design and construction of tall wood buildings Revised end-of-chapter sections, including references, websites, key terminology, review questions, and exercises Fully-updated collection of best-in-class ancillary materials: PowerPoint lecture slides, Instructor's Manual, Test Bank, Interactive Exercises, and more Companion book, Exercises in Building Construction, available in print and eBook format For the nuts and bolts on building construction practices and materials, Fundamentals of Building Construction: Materials and Methods, 7th Edition lays the foundation that every architect and construction professional needs to build a successful career.
Inscriptions by
Inscriptions: Architecture Before Speech presents a theory of contemporary architecture that spans the work of 112 practices in 750 images. Against the popular characterization of contemporary architecture as a centerless field where anything goes and everything is possible, this book argues that much recent work belongs to a collective undertaking. Underneath the impression of kaleidoscopic difference produced by the rapid circulation of design images, there is a shared mechanism, an agreement about how architectural objects emerge from the procedures of design. This mechanism, which we call inscription, manages to both offer fundamentally intelligible form to architecture's audiences, while at the same time advancing the field toward novel outcomes. The ensuing work is nothing less than democratically optimistic in its wide appeal and challenging in its cuts against convention. Featuring essays by Catherine Ingraham, Lucia Allais, Stan Allen, Phillip Denny, Edward Eigen, Sylvia Lavin, Antoine Picon, and Marrikka Trotter, Inscriptions offers a broad array of critical perspectives on work that defines architecture's second decade of the twenty-first century.
Queer spaces : an atlas of LGBTQIA+ places and stories by
An independent bookshop in Glasgow. An ice cream parlour in Havana, where strawberry is the queerest choice. A cathedral in ruins in Managua, occupied by the underground LGBTQIA+ community. Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this lavishly illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, 'Queer Spaces' recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives. Featured spaces include: Black Lesbian and Gay Centre, London; Category Is Books, Glasgow; Christopher Street, New York; Coppelia, Havana; New Sazae, Tokyo; ONE Institute for Homophile Studies, Los Angeles; Pop-Up spaces, Dhaka; Queer House Party, online (Zoom); Santiago Apóstol Cathedral, Managua; Trans Memory Archive, Buenos Aires; Victorian Pride Centre, Melbourne
Young Architects 21 by
The Architectural League Prize for Young Architects + Designers is an annual competition, series of lectures, exhibition, and publication organized by the Architectural League of New York. For more than thirty years the League Prize has recognized outstanding and provocative work by up-and-coming North American architects and designers. The 2019 competition theme, Just, asked entrants to consider the just in how they approach the practice of architecture, whether through experimentation in research and design advocacy or by advancing speculative and applied techniques within the discipline.
The Women Who Changed Architecture by
A visual and global chronicle of the triumphs, challenges, and impact of over 100 women in architecture, from early practitioners to contemporary leaders. Marion Mahony Griffin passed the architectural licensure exam in 1898 and created exquisite drawings that buoyed the reputation of Frank Lloyd Wright. Her story is one of the many told in The Women Who Changed Architecture, which sets the record straight on the transformative impact women have made on architecture. With in-depth profiles and stunning images, this is the most comprehensive look at women in architecture around the world, from the nineteenth century to today. Discover contemporary leaders, like MacArthur Fellow Jeanne Gang, spearheading sustainable design initiatives, reimagining cities as equitable spaces, and directing architecture schools. An essential read for architecture students, architects, and anyone interested in how buildings are created and the history behind them.
Women Rebuild by
Women [Re]Build: Stories, Polemic, Futures is exemplary in its mission to combine in one resource reflections on the renewal of feminist thought in architecture (Framing Stories), challenges to practice made possible by activism (Shaping Polemics), and portrayals of inspiring practitioners who pave the way for future women architects (Building Futures). The goal of this edited book is to increase the visibility and voice of women who everyday challenge the definition and practice of architecture. Women [Re]Build gathers words and projects of leading women thinkers, activists, designers, and builders who have dared to ask, "where are the women?" Where are the women whose architectural work should be celebrated and recognized for its courage and impact; who have cultivated female leadership while challenging the very principles of the discipline they represent; and who've asked the most difficult and rigorous of questions of those who build their visions?
Women Architects in the Modern Movement by
Women Architects in the Modern Movement rewrites the history of modern architecture to elevate the often-overlooked female architects who helped build the movement. Starting with a theoretical analysis that situates women's roles both in society and architecture specifically, Carmen Espegel examines the transition from women as objects to subjects at the advent of modernity. This theoretical basis is grounded through four case studies on pioneering women architects: Eileen Gray, Lilly Reich, Margarete Schütte-Lihotzky and Charlotte Perriand. Along with illuminating their lives and work, Espegel aims to help us examine and observe the world from a perspective where the feminine and masculine are not exclusive, so that we might learn from the past in order to build with dignity in the future. Translated from the original Spanish by Angela Giral.
Erich Mendelsohn by
Erich Mendelsohn (1887-1953) was one of the most versatile architects of the 20th century. His work reconciles the opposites of organic and rational building, of technological innovation and a regionalist attitude, of individual form and universal expression. He fled from Germany in 1933 via England and Palestine to the USA, and his work remains influential to this day. This comprehensive monograph documents all 70 of Mendelsohn's known completed buildings through text and images. In two essays, it also looks at his design approach and his life. A newly compiled register lists all of his unbuilt projects The publication also contains numerous new photographs by Carsten Krohn, newly drawn plans and historical illustrations.
The Metropolis in Latin America, 1830-1930 - Cityscapes, Photographs, Debates by
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830-1930 surveys this expansion, focusing on six capital cities--Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima--as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute's vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities' changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today's Latin American megalopolis.
The Other Modern Movement by
Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
Architects after Architecture by
What can you do with a degree in architecture? Where might it take you? What kind of challenges could you address? Architects After Architecture reframes architecture as a uniquely versatile way of acting on the world, far beyond that of designing buildings.　 In this volume, we meet forty practitioners through profiles, case studies, and interviews, who have used their architectural training in new and resourceful ways to tackle the climate crisis, work with refugees, advocate for diversity, start tech companies, become leading museum curators, tackle homelessness, draft public policy, become developers, design videogames, shape public discourse, and much more.　 Together, they describe a future of architecture that is diverse and engaged, expanding the limits of the discipline, and offering new paths forward in times of crisis. Whether you are an architecture student or a practicing architect considering a change, you'll find this an encouraging and inspiring read.　 　 Please visit the Architects After Architecture website for more information, including future book launches and events: architectsafterarchitecture.com
Clip, Stamp, Fold by
An explosion of little architectural magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, as the magazines acted as a site of innovation and debate. Clip/Stamp/Fold takes stock of seventy little magazines from this period. The book brings together a remarkable range of documents and original research which the project has produced during its continuous travels over the last four years starting with the exhibition at the Storefront in November 2006. The book features transcripts from the "Small Talks" events in which editors and designers were invited to discuss their magazines; a stocktaking of over 100 significant issues that tracks the changing density and progression of the little magazine phenomenon; transcripts of more than forty interviews with magazine editors and designers from all over the world; a selection of magazine facsimiles; and a fold out poster that offers a mosaic image of more than 1,200 covers examined during the research.
101 Case Studies in Construction Management by
This book provides 101 real-life construction management case studies from an author with over 40 years' experience in the construction industry and as a lecturer in construction management. Over 14 chapters, Len Holm has included case studies from real jobsites that cover organization, procurement, estimating, scheduling, subcontractors, communications, quality and cost control, change orders, claims and disputes, safety, and close-outs. Other hot topics covered include BIM, sustainability, and lean. Each case is written in straightforward language and designed to test the reader's independent and critical thinking skills to develop their real-world problem-solving ability. The cases are open to interpretation, and students will need to develop their own opinions of what's presented to them in order to reach a satisfactory solution. The cases are ideal for use in the classroom or flipped classroom, for individual or group exercises, and to encourage research, writing, and presenting skills in all manner of applied construction management situations. Such a broad and useful selection of cases studies cannot be found anywhere else. While there is often no "right" answer, the author has provided model solutions to instructors through the online eResource.
Construction Drawings and Details for Interiors by
CONSTRUCTION DRAWINGS AND DETAILS FOR INTERIORS DISCOVER FOUNDATIONAL CONCEPTS AND THE LATEST DEVELOPMENTS IN INTERIOR CONSTRUCTION DOCUMENTS In the newly revised Fourth Edition of Construction Drawings and Details for Interiors, distinguished interior design professors Rosemary Kilmer and W. Otie Kilmer deliver a comprehensive and practical perspective on the preparation and understanding of construction documents. The authors use a highly visual presentation and offer extensive sample drawings and details, as well as photographs, to show readers the fundamentals of drafting, drawing types, plans, and schedules, and computer-aided design. The Fourth Edition includes new sections on contract administration, field measuring tools, safety and security, and smart systems and controls. A companion website offers PowerPoint lecture slides, an instructor's manual, activities, test questions, and solutions. New appendices feature examples of interior design projects and common symbols for construction drawings. The book also includes: A thorough introduction to drawing communication, equipment, and classification systems, including information about Building Information Modeling and building certification programs for sustainability A discussion of green building certification programs An exploration of the design process, including concept development, hand sketching, design development, preliminary designs, sketches, and presentations A practical review of contract documents, including specifications, contracts, construction drawings, as-built drawings and demolition plans, and floor plans An in-depth examination of structural, mechanical, and plumbing systems Construction Drawings and Details for Interiors is perfect for interior design students, early-career professionals hoping to improve their understanding of project drawing conventions, or anyone studying for the NCIDQ exam.
Writing in a Visual Age by
Writing in a Visual Ageis the first composition rhetoric to make visuals an integral part of the writing process — showing students how words, visuals, and design work together to create effective texts.
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