Welcome to the Joseph F Morbito Architectural Library.
Check out our recent collection additions from this semester.
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My House Is Better Than Your House by
The house is commonly used as a vehicle to get at larger architectural debates. Such is the case in this book, with a dialogue between Nader Tehrani and Preston Scott Cohen whose collaboration in academia has often resulted in two very different approaches to pedagogy. In this discussion, Tehrani draws from central themes within Cohen's pedagogy to design a house as a response to the preoccupations that drive many of these debates. Adopting Villa Varoise as the main protagonist, the book draws on many architectures to situate the predicaments behind geometry, typology, and the architectural anomaly, among other things, as productive instruments for a broader cultural discussion on architecture.
Art and History in the Ohio Judicial Center by
"Nearly 100 years after its construction, the Thomas J. Moyer Ohio Judicial Center in Columbus, Ohio, is finally receiving the artistic recognition it deserves in this richly illustrated book. In the early 1920s, when plans for the Ohio Judicial Center building were initially conceived, American culture and politics were in a period of transition and turbulence. The country emerged from World War I, moved through the Roaring Twenties, and then sank into the Great Depression. To counter the effects of this economic crisis, public art was often commissioned for government buildings, including the Ohio Judicial Center, which was completed in 1933 and showcases work from 12 artists. Featuring more than 100 photographs taken by Richard W. Burry, Art and History in the Ohio Judicial Center is the first book to celebrate the buildings impressive architectural detail and highlight its 200 Art Deco- and Beaux Arts-style murals, reliefs, and mosaics. Burry tells the story of the public art in the Ohio Judicial Center and provides illuminating historical context, helping the present-day reader to understand the buildings art not only from a contemporary perspective but also through the eyes of those living almost a century ago"--
Young Projects : figure--cast--frame by
This first monograph from New York-based Young Projects explores a new approach to spatial design that combines digital and analog methods at the intersection of exploration and architecture. This monograph introduces the cutting-edge research and work of Young Projects, founded by Bryan Young, where materiality, structure, and form intersect to generate new architectural typologies. The book presents a selection of the practice's most relevant projects: five innovative houses completed between 2015 and 2020 as well as less in-depth looks at other projects that define the practice. Each house serves as a chapter through which Young Projects' broader body of work is explored across scales, illustrated through a rich landscape of drawings, diagrams, renderings, mock-ups, prototypes, and photography. The through-line connecting all chapters is the studio's interest in using ambiguity and anomaly to create novel and accessible spaces, whether for high profile clients like Heidi Klum or a new resort in St Kitts. Young Projects seeks to draw users into immersive spatial experiences that unfold over time, in a manner that is familiar but subtly foreign. This quality of "allure" is a result of a unique and experimental approach to materiality and spatial legibility. These are the threads that tie the work together and have set Young Projects apart as an emerging practice, as well as inform the larger-scale projects the studio undertakes as it enters its second decade. Young Projects' process often begins with simple exercises in making: form-finding experiments they undertake within their Brooklyn studio. Material research has included hand-pulling plaster with an irregular knife, using furniture foam as a casting bed, and forming concrete with palm stems. These experiments, among many others, mine characteristics that are not typically associated with conventional architectural materials and break traditional methodology, allowing for qualities of randomness and spontaneity to enter the process of making. The studio finds that letting go of control (at the right moments) produces results that are often surprising, entirely bespoke, and resist replication.
Manual of Biogenic House Sections by
Recognizing that buildings are a major contributor to global warming and the critical role of embodied versus operational carbon, the book focuses on houses built from materials that either sequester carbon (plants), use materials with very low embodied carbon (earth and stone) or reuse substantial amounts of existing materials. Organized by those materials (wood, bamboo, straw, hemp, cork, earth, brick, stone and re-use), and incorporating life cycle diagrams demonstrating how the raw material is processed into building components, the book shows how the unique properties of each material can transform the ways architects conceive the sections of houses. The house was selected as the vehicle for these investigations due to its scale, its role as a site of architectural experimentation, and its ubiquity. Building on the techniques of the Manual of Section, the book is comprised of newly generated cross-sectional drawings of fifty-five recent, modestly sized houses from around the world, making legible the tectonics and materials used in their construction. Each house is also shown through exploded axonometric, construction photographs and color photographs of the exterior and interior. Introductory essays set up the importance of embodied carbon, the role of vernacular plant-based construction and the problems of contemporary house construction. Drawing connections between the architecture of the house, environmental systems and material economies, the book seeks to change how we build now and for the future.
From Crisis to Crisis by
From Crisis to Crisis examines how reading, writing and criticism can address the urgent issues faced by architecture today, including: the role of the architect in the era of specialization; the function of criticism in diverse political, economic and cultural contexts; and, the possibility of architectural education to take on history, theory, civic engagement and political participation. Drawn from an international public symposium organized in the spring of 2017 by the University of Hong Kong (HKU) Department of Architecture, the book is comprised in equal parts of focused essays and transcripts of the wide-ranging discussions. From Crisis to Crisis reflects Hong Kong's ongoing transformation from a gateway between China and the world, to a regional hub opening up a new milieu for the cultural, economic, and intellectual resources of Asia. The HKU Department of Architecture is part of this ongoing transformation, attracting thinkers from Asia, North America, Australia and Europe to engage in critical, relevant dialogues. The publication reflects this diversity and is characterized by its flexibility, contingency, vitality, and open-endedness. From Crisis to Crisis includes contributions from architects, writers and critics from around the world:Anthony Acciavati (USA), Founder & editor of Manifest; Columbia UniversityChris Brisbin (Australia), University of South AustraliaFrançoise Fromonot (France), Chief editor of Criticat; ENSA Paris-BellevilleSeng Kuan (USA), Harvard University Graduate School of DesignJonathan Massey (USA), University of MichiganGraham Mckay (UAE), University of SharjahKamran Afshar Naderi (Iran), Founder & editor of Memar Angelika Schnell (Austria), The Academy of Fine Arts-ViennaZhi Wenjun (China), Founder & editor of Time + Architecture; Tongji University
Spatial Practice by
The book Spatial Practice is a collection of projects and essays on Axi:Ome llc of St. Louis, a young architectural design studio. Like most young designers they employ digital tools as design process. The difference between their and other young digital practices is the final output of the design resolution. Axi:Ome llc fully develops their work within the digital and physical realm. Each model and prototype is crafted with the same care as the building itself, and represents the practice's desire for more sophisticated spatial form in the current built environment. Spatial Practice is a manual for students and young architects looking to question and challenge the current architectural profession. The book is an inspirational collection of work developed from 2000 through 2004. It documents the process and detailed research for each project, giving intellectual definition to architectural production. This book outlines the multi-disciplinary process of Axi:Ome from graphics and engineering to computational, spatial, and experimental attitudes toward architecture. ILLUSTRATIONS: 200 colour & 50 b/w photographs 150 illustrations
3 stages of architectural education by 
Architecture and Micropolitics by
The interaction of architecture and society, demonstrated through important buildings by Farshid Moussavi Architecture. This timely book seeks to dispel two widely held misconceptions: first, that architects are no longer central to the making of buildings and, second, that design is a linear process which begins with a fully formed architectural vision. Architect Farshid Moussavi argues that the temporality of architecture provides day-to-day practice with the potential to generate change. She proposes that we abandon determinism and embrace chance events and the subjective factors that influence practice in order to ground buildings in the micropolitics of everyday life. Using four buildings designed by FMA, Moussavi's London-based practice, Architecture & Micropolitics shows how the rhizomatic nature of their design process is combined with diligent research and an openness to elements of chance to fuel creativity and bend rules that would generate a merely functional building. A substantial essay by Farshid Moussavi and an afterword by the philosopher Jacques Rancière are followed by detailed analyses of the Museum of Contemporary Art in Cleveland; Lot 19, the first new residential block to be built in the La Défense district of Paris in thirty years; the Folie Divine apartment building in Montpellier; and the Ismaili Center Houston, the first new building in the US which is dedicated to use by the Ismaili community. The book also features contributions by Iñaki Ábalos, Hans Ulrich Obrist, and Irénée Scalbert. Architecture & Micropolitics is recommended for any professional and academic library. It is a surprising book which will be of value to anyone who is interested in the relationship between architecture and society.
The Architecture of Modern American Synagogues, 1950s-1960s by
In the aftermath of World War II, the United States experienced a rapid expansion of church and synagogue construction as part of a larger "religious boom." The synagogues built in that era illustrate how their designs pushed the envelope in aesthetics and construction. The design of the synagogues departed from traditional concepts, embraced modernism and innovations in building technology, and evolved beyond the formal/rational style of early 1950s modern architecture to more of an expressionistic design. The latter resulted in abstraction of architectural forms and details, and the inclusion of Jewish art in the new synagogues. The Architecture of Modern American Synagogues, 1950s-1960s introduces an architectural analysis of selected modern American synagogues and reveals how they express American Jewry's resilience in continuing their physical and spiritual identity, while embracing modernism, American values, and landscape. In addition, the book contributes to the discourse on preserving the recent past (e.g., mid 20th century architecture). While most of the investigations on that topic deal with the "brick & mortar" challenges, this book introduces preservation issues as a function of changes in demographics, in faith rituals, in building codes, and in energy conservation. As an introduction or a reexamination, The Architecture of Modern American Synagogues, 1950s-1960s offers a fresh perspective on an important moment in American Jewish society and culture as reflected in their houses of worship and adds to the literature on modern American sacred architecture. The book may appeal to Jewish congregations, architects, preservationists, scholars, and students in fields of studies such as architectural design, sacred architecture, American modern architecture and building technology, Post WWII religious and Jewish studies, and preservation and conservation.
Missing Middle Housing by
Today, there is a tremendous mismatch between the available housing stock in the US and the housing options that people want and need. The post-WWII, auto-centric, single-family-development model no longer meets the needs of residents. Urban areas in the US are experiencing dramatically shifting household and cultural demographics and a growing demand for walkable urban living. Missing Middle Housing, a term coined by Daniel Parolek, describes the walkable, desirable, yet attainable housing that many people across the country are struggling to find. Missing Middle Housing types--such as duplexes, fourplexes, and bungalow courts--can provide options along a spectrum of affordability. In Missing Middle Housing, Parolek, an architect and urban designer, illustrates the power of these housing types to meet today's diverse housing needs. With the benefit of beautiful full-color graphics, Parolek goes into depth about the benefits and qualities of Missing Middle Housing. The book demonstrates why more developers should be building Missing Middle Housing and defines the barriers cities need to remove to enable it to be built. Case studies of built projects show what is possible, from the Prairie Queen Neighborhood in Omaha, Nebraska to the Sonoma Wildfire Cottages, in California. A chapter from urban scholar Arthur C. Nelson uses data analysis to highlight the urgency to deliver Missing Middle Housing. Parolek proves that density is too blunt of an instrument to effectively regulate for twenty-first-century housing needs. Complete industries and systems will have to be rethought to help deliver the broad range of Missing Middle Housing needed to meet the demand, as this book shows. Whether you are a planner, architect, builder, or city leader, Missing Middle Housing will help you think differently about how to address housing needs for today's communities.
Reading Kenneth Frampton by
Gevork Hartoonian presents a retrospective reading of the first edition of Kenneth Frampton's Modern Architecture: A Critical History, published in 1980. He provides novel insights into the significance of Frampton's historiography of modern architecture and beyond. In exploring selected themes from Frampton's ongoing criticism of contemporary architecture, this book leads us to a critical understanding of the past, the modernity of architecture's contemporaneity. It unpacks classificatory modes governing the three-part organization of Frampton's book, the constellation of which allowed him to hold on to an anteroom view of history amidst the flood of temporalities spanning the period 1980-2020. Contemplating Frampton's book as an artifact stripped of temporality, this original work reads Frampton's historiography in the intersection of selected epigraphs and three images illuminating the book's classificatory mode. Hartoonian presents a valuable companion to Frampton's A Critical History for readers interested in the successes and failures of contemporary architecture's philosophical and theoretical aspirations.
Architecture's Theory by
A collection of illuminating essays exploring what theory makes of architecture and what architecture makes of theory in philosophical and materialized contexts. From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture's relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy's House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans. Approaching its subject matter from multiple angles, Architecture's Theory shows how architecture's theoretical and artifactual practices have a unique power to alter culture.
Beyond Digital by
Recasting computational design- a new modern agenda for a post-industrial, post-pandemic world. Mass production was the core technical logic of industrial modernity- for the last hundred years, architects and designers have tried to industrialize construction and standardize building materials and processes in the pursuit of economies of scale. But this epochal march of modernity is now over. In Beyond Digital, Mario Carpo reviews the long history of the computational mode of production, showing how the merger of robotic automation and artificial intelligence will stop and reverse the modernist quest for scale. Today's technologies already allow us to use nonstandard building materials as found, or as made, and assemble them in as many nonstandard, intelligent, adaptive ways as needed- the microfactories of our imminent future will be automated artisan shops. The post-industrial logic of computational manufacturing has been known and theorized for some time. By tracing its theoretical and technical sources, and reviewing the design theories that accompanied its rise, Carpo shows how the computational project, long under the sway of powerful antimodern ideologies, is now being recast by the urgency of the climate crisis, which has vindicated its premises-and by the global pandemic, which has tragically proven its viability. Looking at the work of a new generation of designers, technologists, and producers, Beyond Digital offers a new modern agenda for our post-industrial future.
Blank by
This book advances a much-needed and transformational agenda for making architecture today through a close reading of cross-laminated timber (CLT) and its material unit, the CLT blank. Both matter-of-fact and multivalent, economical and excessive, the blank has untapped potential for experimentation, innovation, and research in architecture at various scales. Blank brings together texts and work from a wide range of theorists and practitioners who make CLT central to their inquiry and, in turn, suggest design approaches that broaden the material's cultural, spatial, and technological significance for architecture, education, engineering, and industry. The book claims new conceptual territory for a material with extensive appeal whose theorization has been stuck in narratives of its sustainability. Slippages between art, architecture, and science help position Blank as an antidote to current conversations about CLT, which are fixated on its mass production and carbon footprint, portraying it as a bland product rather than an enabler of design. The book argues for the material's aesthetic and spatial potential, conjuring the kind of world that CLT can create. Striking visuals contribute to repositioning CLT architecture though new forms of representation and design responses that continue to stay in touch with pragmatics. Contributions by Jennifer Bonner, Nelson Byun, Victoria Camblin, Sean Canty, Courtney Coffman, Sam Jacob, Hanif Kara, Christopher C. M. Lee, Erin Putalik, Nader Tehrani, and Yasmin Vobis.
Pendulum plane : Oyler Wu Collaborative by 
African Modernism by
Back-in-print, the most comprehensive survey of modern architecture in Africa to date. When African Modernism was first published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume.
Adjaye · Africa · Architecture by
The African continent contains some of the world's most vibrant culture and creativity, and yet its buildings - vernacular, colonial or contemporary - have rarely engaged the interest of Western architects. David Adjaye, the first black architect to establish a truly global reputation in his field, has found endless sources of inspiration for his designs in the rich - and chequered - heritage of Africa's teeming metropolises. His life dream was to return to the continent as an architect to document Africa's built environment. Over a long decade, he tirelessly documented these dynamic, colourful cities, photographing thousands of buildings, sites and places, and letting each building speak for itself in telling contrast to a design world obsessed with photorealistic slickness. The result was a stunning seven-volume work that has become an essential resource for all those interested in the burgeoning continent. This compact edition will make the fruits of this once-in-a-generation record available to a much wider audience. The result is one of the most original, ambitious and important architectural publications of our time, now available to everyone wishing to gain an understanding of a unique architectural heritage overlooked for too long.
The Architectural Legacy of Wallace A. Rayfield by
A priceless material legacy documenting Wallace Rayfield's life and work on two continents In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield's drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield's life and work on two continents. Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending HowardUniversity, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from ColumbiaUniversity. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the SixteenthStreetBaptistChurch in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity. Durough includes catalog-style descriptive entries and illustrations of Rayfield's designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.
Construction Project Scheduling and Control by
Ensure successful construction projects through effective project scheduling and control The success of a construction project is dependent on a schedule that is well-defined yet flexible to allow for inevitable delays or changes. Without an effective schedule, projects often run over budget and deadlines are missed which can jeopardize the success of the project. The updated Construction Project Scheduling and Control, Fourth Edition is a comprehensive guide that examines the analytical methods used to devise an efficient and successful schedule for construction projects of all sizes. This Fourth Edition describes the tools and methods that make projects run smoothly, with invaluable information from a noted career construction professional. Construction Project Scheduling and Control, Fourth Edition offers construction professionals a redefined Critical Path Method (CPM) and updated information on Building Information Modeling (BIM) and how it impacts project control. This Fourth Edition includes worked problems and scheduling software exercises that help students and practicing professionals apply critical thinking to issues in construction scheduling. This updated edition of Construction Project Scheduling and Control: Includes a revised chapter on the Critical Path Method (CPM) and an all-new chapter on project scheduling and control as viewed through the owner's perspective Provides numerous worked problems and construction scheduling exercises Includes an expanded glossary and list of acronyms Offers updated instructor materials including PowerPoint lecture slides and an instructor's manual Written for undergraduate and graduate students in construction management, civil engineering, and architecture, as well as practicing construction management professionals, Construction Project Scheduling and Control, Fourth Edition is updated to reflect the latest practices in the field.
Foundations of Urban Design by
The book is structured into twenty-nine essays, each dedicated to a pair of urbanistic concepts. Discussing historical and contemporary, interpretive and designerly approaches to urbanity, the notions composing the 29 pairs relate dialectically, as theses-and-antitheses. Still, we are warned, 'the presented antagonisms are not a priori in opposition, but rather complementary.
Living + Dying INbetween the Real + the Virtual by 
Robotic Landscapes by 
Young Architects 22 by 
Illusion in Design by 
Environmental Activism by Design by 
Architectures of spatial justice by
A field-defining work that demonstrates how architects are breaking with professional conventions to advance spatial justice and design more equitable buildings and cities. As state violence, the pandemic, and environmental collapse have exposed systemic inequities, architects and urbanists have been pushed to confront how their actions contribute to racism and climate crisis--and how they can effect change. Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination--in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. That is, it requires a reevaluation of architecture's fundamental tenets. Organized around projects and topics, Architectures of Spatial Justice is a compelling blend of theory, history, and applied practice that focuses on two foundational conditions of architecture: its relation to the public and its dependence on capital. The book draws on studies of architectural projects from around the world, with instructive case studies from Chile, Mexico, Japan, and the United States that focus in particular on urban centers, where architecture is most directly engaged with social justice issues. Emerging from more than two decades of the author's own project-based research, Architectures of Spatial Justice examines ethically driven practices that break with professional conventions to correct long-standing inequities in the built environment, uncovering architecture's limits--and its potential.
Transform by
'Beautifully presented and accompanied by abundant photographs and plan diagrams, the entry masterfully explores Berke's modernist inclinations, her minimalist style, and her firm's savvy handling of spaces and materials. Architectural students and practitioners will find much to appreciate.' - Publishers Weekly TenBerke publishes Transform with Monacelli, an argument for the regenerative reuse of old buildings. Adaptive Reuse is how architecture helps us grow into a changing world. It combines the best of old and new--through renovation, restoration, regeneration, reimagination, and repair. A practice of sensitive stewardship and creative conservation, it is what turns the obsolete into the germane. With TenBerke's most recent publication with Monacelli, Transform: Promising Places, Second Chances, and the Architecture of Transformational Change, the studio shows that creatively and visibly repurposed places are also where people feel especially empowered to make new beginnings in their own lives. Transform illustrates how TenBerke, in all its transformative designs, reveals the signs and signatures of adaptation, composes a continuity in which the after doesn't erase the before, and designs places where people are able to leave new traces--and make their mark. The adaptive reuse in Transform goes beyond the usual before and after of renovation and conversion, into the long and lively places of buildings, which are always being remade by the people who use them. Transform includes Against Historic Preservation, an argument for the creative reuse of old buildings by Deborah Berke, founder of TenBerke and dean of the Yale School of Architecture; along with Promise, a critical narrative essay by award-winning design writer Thomas de Monchaux. It also includes The Environmental Case for Adapting Buildings at Scale, a report by urban scientist Karen C. Seto who looks to building reuse as a means to manage the untenable rate of urbanization of our natural environments. Transform includes, in the words of artist Titus Kaphar, "Time Is That Collaborator. . ." a conversation between himself and Berke inspired by TenBerke's design for NXTHVN, a community arts center that he founded in New Haven Connecticut, bringing former industrial buildings to new life. With editorial and creative direction from TenBerke Senior Principal Arthi Krishnamoorthy, Transform presents accessible and actionable case studies of adaptive reuse projects, revealing the thinking that guides each one: from NXTHVN, where an arts incubator and community center was born out of disused factories; to the Yale School of Art, where an old swimming pool became a gallery and classroom; to the pioneering 122 Community Arts Center in downtown Manhattan, where an old public school became a new performance space and civic crossroads, to the 21c hotel in Oklahoma City, where one of the Ford Motor Company's first assembly plants became a hotel and event space, catalyzing the revitalization of a new livable neighborhood. In Transform, we see that the architecture of adaptation offers a new approach to old places that is at once sensitive and bold, at once conscious of histories and legacies, yet optimistically forward-looking to new possibilities. This is the architecture of second chances, of promising places, and of transformational change.
The New Designer by
How to develop an ethical design practice and build a better world. The choices made by designers have a significant effect on the world. Yet so much of the discourse on design focuses on aesthetics rather than ethics. In The New Designer, acclaimed author Manuel Lima aims to change this by challenging common myths and preconceptions about what comprises good design. He argues that designers must take responsibility for the personal, societal, cultural, and environmental impact of their work, rather than simply following a standard template. As he covers fields ranging from graphic design to industrial design to user-experience design, Lima identifies the major steps that designers must take to be a force for good in the world. Rather than sticking to outmoded ideas about perfectionism and individual genius, designers must work together to tackle some of the most challenging questions of the twenty-first century. How do you make room for humanity, with all its wondrous variations, in a society increasingly driven by metrics, algorithms, and profit? How can ecologically responsible designers consider a product's entire life cycle and look well into the future? And how can designers better respond to a community's local needs while taking advantage of global networks? Blending approaches derived from ethics, psychology, economics, and ecology, The New Designer is a vital, field-changing treatise that will appeal to any reader who seeks to understand design's massive influence on the contemporary world.
Atlas of Another America by
Owning a home is the pinnacle of the American Dream, the ultimate status symbol of the middle class. But is the dream in crisis? As the suburban single-family home has been endlessly multiplied and mass-marketed, it has become entwined with environmental catastrophe and economic crisis. Never before have we been so badly in need of a reconsideration of our cultural values and consumption from an architectural perspective. With An Atlas of Another America, Keith Krumwiede has written a bold and highly original work of speculative architectural fiction that calls on Americans--and, increasingly, the rest of the world--to seriously reconsider the concept of the single-family home. Krumwiede's "Freedomland" is a fictional utopia of communal superhomes constructed from the remains of the suburban metropolis. Eschewing formal innovation for its own sake, Freedomland's radical architects rely on artful appropriation and the reorganization of found forms. Krumwiede produces the complete plans for Freedomland in the style of a historical architectural treatise, supplemented with more than two hundred plans and drawings and five essays that draw on a long lineage of architectural thought--from Piranesi to Ledoux, Branzi, and Koolhaas. Among the essays, "Atypical Plans" is a redaction of Koolhaas's landmark text "Typical Plan," "Supermodel Homes" looks at the mad genius of developer David Weekley," and "New Homes for America" is a short story in which a young architect produces new forms of communal living.
Making Healthy Places, Second Edition by
The first edition of Making Healthy Places offered a visionary and thoroughly researched treatment of the connections between constructed environments and human health. Since its publication over 10 years ago, the field of healthy community design has evolved significantly to address major societal problems, including health disparities, obesity, and climate change. Most recently, the COVID-19 pandemic has upended how we live, work, learn, play, and travel. In Making Healthy Places, Second Edition: Designing and Building for Well-Being, Equity, and Sustainability, planning and public health experts Nisha D. Botchwey, Andrew L. Dannenberg, and Howard Frumkin bring together scholars and practitioners from across the globe in fields ranging from public health, planning, and urban design, to sustainability, social work, and public policy. This updated and expanded edition explains how to design and build places that are beneficial to the physical, mental, and emotional health of humans, while also considering the health of the planet. This edition expands the treatment of some topics that received less attention a decade ago, such as the relationship of the built environment to equity and health disparities, climate change, resilience, new technology developments, and the evolving impacts of the COVID-19 pandemic. Drawing on the latest research, Making Healthy Places, Second Edition imparts a wealth of practical information on the role of the built environment in advancing major societal goals, such as health and well-being, equity, sustainability, and resilience. This update of a classic is a must-read for students and practicing professionals in public health, planning, architecture, civil engineering, transportation, and related fields.
Julia Morgan : the road to San Simeon, visionary architect of the California renaissance by 
Architecture in the Age of Artificial Intelligence by
Artificial intelligence is everywhere - from the apps on our phones to the algorithms of search engines. Without us noticing, the AI revolution has arrived. But what does this mean for the world of design? The first volume in a two-book series, Architecture in the Age of Artificial Intelligence introduces AI for designers and considers its positive potential for the future of architecture and design.Explaining what AI is and how it works, the book examines how different manifestations of AI will impact the discipline and profession of architecture. Highlighting current case-studies as well as near-future applications, it shows how AI is already being used as a powerful design tool, and how AI-driven information systems will soon transform the design of buildings and cities.Far-sighted, provocative and challenging, yet rooted in careful research and cautious speculation, this book, written by architect and theorist Neil Leach, is a must-read for all architects and designers - including students of architecture and all design professionals interested in keeping their practice at the cutting edge of technology.
Grundkurs : what is architecture about? by
"In this collection of idiosyncratic lessons, architect and teacher Pier Paolo Tamburelli engages with the very foundations of architecture, proposing a series of new and open-ended perspectives on how we build the world. Developed for the 'Grundkurs', or 'basic course', at Vienna Technical University, Tamburelli's lessons are presented through the annotated sketches that form the basis of his lectures - variously rough and precise, sarcastic and sincere, and always uniquely expressive. This volume is a rich visual sourcebook of architectural ideas that form an accessible and discursive introduction to the discipline - one which pauses on the road to grand theories to learn from the intuitive processes of notetaking, drawing, and association. Tamburelli's lessons are based around a series of dialectic couples, including Roof/Wall, Shelter/Memory, and Language/Action. The pairs are experimental and often provocative, offering a framework to be used to climb in the direction of architecture. Tamburelli trusts in the capacity of images to suspend the restraints of more rigorous theoretical approaches, embraces the flexible wisdom of the note, and relishes the intrigue of the cryptic messages we leave for ourselves. Reproduced here in their entirety, these eight lessons offer countless routes towards, through, and around architecture, providing newcomers and experts alike with an intimate and refreshing encounter with a millennia-old discipline" Publisher's website (viewed June, 15, 2023)
Perspecta 55 : futures index by
A collection that explores how architecture ought to negotiate the future, when the future is anything but certain. Architecture is fundamentally a practice of predicting the future. In designing spaces that will endure for decades, architects must reconcile their visions of future living with predicted economic, political, and environmental futures. Thus, whereas utopian architects of the past each sought to impose a singular future through visionary architectural form, architects of today must reconcile between the multiple futures projected by hired specialists, live modeling software, climate change prognoses, and financial markets. Perspecta 55 aims to undertake this much-needed analysis of contrasting techniques of prediction, investigating architecture's relationship to these conflicting visions of the future. Perspecta gathers together contributions from the fields of finance, climate, security, and computation to unearth the particular disciplinary histories and social values that underlie future projection. They identify eight futurological modes with direct impact on architectural practice- the hypothetical speculation of scenario planning, the training drills of disaster preparation, the logic of resisting a certain future evident within resiliency, the imaginings of science fiction, the risks and profits of the financial futures market, techniques of building information modeling and simulation, the algorithmic prediction involved in data mining, and the future-reversing logic of repair. In investigating and testing practices of future prediction, Perspecta 55 hopes to empower architecture to address its uncertain, contested futures so that it may successfully reconcile and articulate its own future. Designers- Kyla Arsadjaja and Julia Sch fer are graduates of the Yale School of Art. Contributors- Orit Halpern, Matthew Soules, William Deringer, Gary Zhexi Zhang, Jack Hanly, Zeynep elik Alexander, G k e G nel, Davy Knittle, Adam Bobbette, Savannah Cox, Stephen Collier, Andrew Lakoff, Lindsay Thomas, Ross Exo Adams, Amelyn Ng, Justin Joque, Peter Polack, and Daniela Fabricius
Exhibit A: exhibitions that transformed architecture, 1948-2000 by
The first book to explore the world's most significant architectural exhibitions of the 20th century How do you exhibit a building, a locality, a city? Exhibit A reveals how architecture has pushed the boundaries of exhibition as a medium and how, in turn, exhibitions have shaped the discipline of architecture. Focusing on 80 landmark architecture exhibitions mounted in countries around the world between 1948 and 2000, and featuring 300 images, this groundbreaking overview is both a vital reference and a visually compelling study of the way we look at built work.
Unidentified Flying Object for Contemporary Architecture by
The first monographic publication focused on the Florentine UFO group (1968-1978), that conducts a historical analysis of its work, reveals its close relationship with the contemporary artistic, literary and architectural avant-garde and, finally, investigates its legacy for the contemporary project. The contemporary context is defined by a unique conjuncture. On one hand, we witness the revival of the Radical Architecture that from the avant-garde experiments of the origins recovers creative processes and iconographic fragments while nullifying the original ideological and political values. On the other hand, we see social protests in defense of fundamental rights of democracy, as in 1968. With these premises, Architecture is now reinvestigating those ephemeral experiments that have endured half a century as new "stone monuments" capable of indicating new perspectives for both research and design. Placing UFO group, one of the authors of those still poorly known "monuments", at the core of the contemporary debate means investigating their formal and seductive aspects, but also the ideological, political and social values with which objects, installations and happenings have been innervated, transforming them into devices of an architecture nourished by literature, art and political commitment for the foundation of an eloquent and activist project even more radical than the well-known Superstudio and Archizoom.The collaboration between Beatrice Lampariello, an architecture historian specialized in the 1960s and 1970s, and False Mirror Office, a group of historians and designers engaged in the rediscovery of UFO group, lead to a monograph focused on the UFO's work and an evaluation of their legacy relative to contemporary architecture. This monograph is composed of three sections: 1) History, a first-ever study of UFO by False Mirror Office via analysis of all archival and bibliographic sources, as well as a series of interviews with UFO members and a collection of its writings (published and unpublished), for the first time translated into English; 2) Context, composed of essays by historians and architectural theorists (Beatrice Lampariello, Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti) intended to place UFO's work in the context of the avant-garde that influenced its work, from the experience of Florentine Radical Architecture to Umberto Eco's theories on semiotics and the American experiences between Pop Art, Video Art and Happening; 3) Legacy, articulated through graphic contribution and essays by young designers, as False Mirror Office, Parasite 2.0, Point Supreme, Jimenez Lai, Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal and Peter Behrbohm, to investigate UFO's legacy relative to the contemporary revival of the most distinguishing creative processes and obsessions that shaped the so-called Radical Architecture. Contributions by: Beatrice Lampariello, Boris Hamzeian and Andrea Anselmo (False Mirror Office), Gloria Castellini (False Mirror Office), Simon Sadler, Anna Rosellini, Giovanni Galli, Jacopo Galimberti, Filippo Fanciotti and Giovanni Glorialanza (False Mirror Office), Parasite 2.0, Point Supreme, Jimenez Lai (Bureau Spectacular), Andrew Kovacs, Adam Nathaniel Furman, Traumnovelle, (ab)Normal, Peter Behrbohm
New geographies. 11, Extraterrestrial by
New Geographies 11: Extraterrestrial explores the historical and contemporary consequence of our planetary relationship with space. It interprets this duality through the conceptual lens of "extraterrestrial," which engages an entangled zone of expanding practices in geography, landscape, and architecture, stretching Earth to space, and conversely, space to Earth. This issue questions the means through which space is forged as a condition extra to our own terra. Complicit within this imagination resides a deep political and economic logic that serves to territorialize outer space as an exception to, and extension of, Earth. These critical processes are revealed as not extra at all, but rather distinctly of terra. Through a series of written, photographic, and representational investigations, this edition of New Geographies builds on earlier studies of outer space from science, technology and society, as well as from the design disciplines, history, and critical geography. It reinforces the need for humanity's changing relationship with outer space to be recorded, critiqued, and theorized from a breadth of academic traditions and projected within design discourse. This issue brings together experts contributing to the social, political, and cultural imaginary implicit in extraterrestrial. Three primary thematic territorial devices structure these explorations: a technologically constructed space between, a material culture constructed and discharged, and a space politically and economically reflective, all revealed through historical and contemporary society.New Geographies is a journal of design, agency, and territory founded, edited, and produced by Doctor of Design candidates at the Harvard University Graduate School of Design. New Geographies presents the geographic as a design paradigm that links physical, representational, and political attributes of space and articulates a synthetic scalar practice. Through critical essays and projects, the journal seeks to position design's agency amid concerns about infrastructure, technology, ecology, and globalization. With Contributions of Rachel Armstrong, Katarzyna Balug, Nicholas de Monchaux, Daniel Daou, Rajji Sanjay Desai, Edward Eigen, Rania Ghosn and El Hadi Jazairy, Mariano Gomez-Luque, Gretchen Heefner, Elizabeth A. Kessler, Scott Kirsch, Julie Michelle Klinger, Neil Leach, Michael Light, Lisa Messeri, Roland Miller, Alessandra Ponte, an interview with Kim Stanley Robinson, David Salomon, Felicity D. Scott, Fred Scharmen, Neyran Turan, edited by Jeffrey S. Nesbit and Guy Trangos.
San Francisco : la grille sur les collines = the grid meets the hills by 
Superdesign : Italian radical design 1965-75 by
SuperDesign charts the Italian Radicals' bold experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together some of the most dynamic and avant-garde thinkers and makers across the country. Through enigmatic, confrontational, and clever furniture and objects--such as the iconic lip-shaped Bocca sofa, or the Cactus coat-rack in green foam--as well as more public innovations including discotheque interiors and subversive performances, the Radicals projected design's new era as equal parts Pop Art, play, Surrealism, and futurism. Told through exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, and newly commissioned photography of rarely seen works, SuperDesign explores this fervent period of design that played out against the era's social and political turmoil. Featured designers include Archizoom Associati, Lapo Binazzi (UFO), Pietro Derossi (Gruppo Strum), Piero Gilardi, Ugo La Pietra, Gaetano Pesce, Gianni Pettena, Studio65, and Superstudio. The culmination of a decade of collecting and researching original examples of some of the most important and iconic works of the period, SuperDesign offers a unique new introduction to the legacy of the Italian Radicals.
Superstudio : opere : 1966-1978 by
Published on the occasion of an exhibition held at the MAXXI, Rome, Italy, April 21-September 4, 2016
Includes bibliographical references (pages 641-661) and index
"Four Sketchbooks" by
Founder of Superstudio and initiator of the so-called 'Radical Architecture' movement (one of the most important avant-garde movements of the sixties and seventies), Adolfo Natalini describes years of designed and constructed architectural projects through his preferred media: drawings and sketches shown in his Black notebooks (Quaderni Neri). This book contains many of his numerous designs and constructed projects, witness to almost fifty years of his career, collected in four new Notebooks. The first section describes the experiences shaping Natalini's education, including his studies and work at Superstudio and the 'Pistioia school'. The other chapters present his designs and completed projects, divided by geographic area and then in chronological order. The Italian, German and Dutch sketchbooks show the work he considers the best representations of his career, told through images, technical drawings and original sketches from his famed sketchbooks. Many excerpts from interviews with the Natalini are interspersed throughout, complementing and tying everything together. This significant book helps us understand a key player in Italian architecture, his career, how his ideas evolved, and how he sees and understands his work and designs. After his experience as a painter, Adolfo Natalini graduated in architecture in Florence in 1966 and founded Superstudio (with Cristiano Toraldo di Francia, Gian Piero Frassinelli, Roberto and Alessandro Magris and Alessandro Poli). The group was the initiator of the so-called Radical Architecture, one of the most important avant-garde movements of the 1960s and 1970s. He was full professor of architectural design at the Florence Faculty of Architecture. 153 colour, 89 b/w images
The Arts of Intimacy by
Named a Book of the Year by the Times Literary Supplement, this lavishly illustrated work explores the vibrant interaction among different and sometimes opposing cultures, and how their contacts with one another transformed them all. It chronicles the tumultuous history of Castile in the wake of the Christian capture of the Islamic city of Tulaytula, now Toledo, in the eleventh century and traces the development of Castilian culture as it was forged in the new intimacy of Christians with the Muslims and Jews they had overcome. The authors paint a portrait of the culture through its arts, architecture, poetry and prose, uniquely combining literary and visual arts. Concentrating on the eleventh and twelfth centuries, the book reveals the extent to which Castilian identity is deeply rooted in the experience of confrontation, interaction, and at times union with Hebrew and Arabic cultures during the first centuries of its creation. Abundantly illustrated, the volume serves as a splendid souvenir of southern Spain; beautifully written, it illuminates a culture deeply enriched by others.
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