The Arsenal of Exclusion and Inclusion by Who gets to be where? The Arsenal of Exclusion & Inclusion examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, The Arsenal offers a wide-ranging view of the forces that shape our cities.by Interboro (Tobias Armborst, Daniel D'Oca, Georgeen Theodore)
New Directions and Paradigms for the Study of Greek Architecture by New Directions and Paradigms for the Study of Greek Architecture comprises 20 chapters by nearly three dozen scholars who describe recent discoveries, new theoretical frameworks, and applications of cutting-edge techniques in their architectural research. The contributions are united by several broad themes that represent the current directions of study in the field, i.e.: the organization and techniques used by ancient Greek builders and designers; the use and life history of Greek monuments over time; the communication of ancient monuments with their intended audiences together with their reception by later viewers; the mining of large sets of architectural data for socio-economic inference; and the recreation and simulation of audio-visual experiences of ancient monuments and sites by means of digital technologies.
Gordon Bunshaft and SOM by A nuanced portrait of the 20th-century architect whose work defined the built aesthetic of corporate America Gordon Bunshaft's (1909-1990) landmark 1952 design for Lever House reshaped the Manhattan skyline and elevated the reputation of Skidmore, Owings & Merrill (SOM), the firm where he would spend more than 40 years as a partner. Although this enigmatic architect left behind few records, his legacy endures in the corporate headquarters, museums, and libraries that were built in his distinctive modernist style. Bunshaft's career was marked by shifts in material. Glass and steel structures of the 1950s, such as New York's Chase Manhattan Bank, gave way to revolutionary designs in concrete, such as the Beinecke Rare Book and Manuscript Library at Yale University and the doughnut-shaped Hirshhorn Museum in Washington, DC. Bunshaft's collaborations with artists, including Isamu Noguchi, Jean Dubuffet, and Henry Moore, were of paramount importance throughout his career. Nicholas Adams explores the contested line between Bunshaft's ambition for acclaim as a singular artistic genius and the collaborative structure of SOM's architectural partnership. Bunshaft received the Pritzker Architecture Prize in 1988 and remains the only SOM partner to have achieved this distinction. Adams counters Bunshaft's maxim that "the building speaks for itself" with necessary critical context about this modernist moment at a time when the future of Bunshaft's iconic works is very much in question.
Powerhouse by Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee's drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman.
Compression by Steven Holl celebrates the thirtieth anniversary of his landmark bookAnchoring withCompression, a collection of thirty-five major projects from the past decade. Holl applies concepts from neuroscience, literature, social science, and philosophy to develop the idea of compression: the condensation of material and social forces to create meaningful and sustainable architecture. A diverse roster of international works includes an expansion of the Museum of Fine Arts Houston ; academic facilities for Columbia University, Princeton University, and the Glasgow School of Art; urban plans; a harbor gateway for Copenhagen; and an extension of the Kennedy Center for the Performing Arts. All demonstrate Holl's poetic attention to light, space, and water; a subtle and tactile employment of material and color; and an awareness of architecture's potential to connect people through inspiring public spaces.
Morphosis by A resounding masterpiece of architectural publishing, this volume, Rizzoli's sixth on Morphosis and its founder, architect Thom Mayne, features the work of the award-winning interdisciplinary architectural and design practice over the past fourteen years. Known for its architecture of complexity, disruption, and ambiguity, Morphosis is on the cutting edge of exploration and discovery in design. Sometimes on the border of controversy with daring vision and provocative large-scale urban projects, the firm continually invites us to question what architecture is and can be while remaining sensitive to its central purpose--to provide safe, sheltering spaces for life, work, and play. This book documents the great variety of the firm's creations across the globe, a new academic building for the Cooper Union in New York, the Perot Museum of Nature and Science in Texas, the Casablanca Finance City Tower in Morocco, and the Sejong M-Bridge, in Sejong City, South Korea. Like the architecture of this trailblazing firm, the book is an exhilarating demonstration of visual excitement, bold graphics, and innovative design.
Justice Is Beauty by Founded in 2008, MASS Design Group collaborated with Partners In Health and the Rwanda Ministry of Health to design and build the Butaro District Hospital in Rwanda, a masterwork of architecture that also uniquely serves a community in need. Since then, MASS has grown into a dynamic collaborative of architects, planners, engineers, filmmakers, researchers, and public health professionals working in more than a dozen countries in the fields of design, research, policy, education, and strategic planning. Amid ongoing recognition (the 2018 American Academy of Arts and Letters Award in Architecture, the 2017 Cooper Hewitt National Design Award in Architecture), MASS's most recent project, the National Memorial for Peace and Justice in Montgomery, Alabama, has been featured in more than 400 publications, including the New York Times, the New Yorker, and the Washington Post. Mark Lamster of Dallas Morning News called the memorial "the single greatest work of American architecture of the twenty-first century." Justice Is Beauty highlights MASS's first decade of designing, researching, and advocating for an architecture of justice and human dignity. With more than thirty projects built or under construction and some 200,000 people served, MASS has pioneered an immersive approach in the practice of architecture that provides the infrastructure, buildings, and physical systems necessary for growth, dignity, and well-being, while always engaging local communities with attention to the specifics of cultural context and social needs.
The Surreal Visions of Hernán díaz Alonso/HDA-X by Hernán Díaz Alonso, one of today's most influential and innovative architects, heads a multidisciplinary design practice, based in Los Angeles, called HDA-X (formerly Xefirotarch). Praised for its work at the intersection of design, animation, interactive environments, and radical architectural explorations, HDA- X combines these disciplines to create plans for sculptures, architectural ventures, and various objects. Featuring plans for the Helsinki Central Library, a Budapest Museum, and major architectural projects in Barcelona, this book is a spectacular survey of Díaz Alonso's cutting-edge designs.With an essay by Benjamin H. Bratton and an interview with Díaz Alonso, The Surreal Visions of Hernán Díaz Alonso/HDA-X is perfect for architecture students, teachers, and practitioners, as well as anyone with a passion for design.
Canadian Modern Architecture, 1967/2017 by Canada's most distinguished architectural critics and scholars offer fresh insights into the country's unique modern and contemporary architecture. Beginning with the nation's centennial and Expo 67 in Montreal, this fifty-year retrospective covers the defining of national institutions and movements, how Canadian architects interpreted major external trends, regional and indigenous architectural tendencies, and the influence of architects in Canada's three largest cities -- Toronto, Montreal, and Vancouver. Co-published withCanadian Architect, this comprehensive reference book is extensively illustrated and includes fifteen specially commissioned essays.
Signal. Image. Architecture by Architecture is immersed in an immense cultural experiment called imaging. Yet the technical status and nature of that imaging must be reevaluated. What happens to the architectural mind when it stops pretending that electronic images of drawings made by computers are drawings? When it finally admits that imaging is not drawing, but is instead something that has already obliterated drawing? These are questions that, in general, architecture has scarcely begun to pose, imagining that somehow its ideas and practices can resist the culture of imaging in which the rest of life now either swims or drowns. To patiently describe the world to oneself is to prepare the ground for an as yet unavailable politics. New descriptions can, under the right circumstances, be made to serve as the raw substrate for political impulses that cannot yet be expressed or lived, because their preconditions have not been arranged and articulated. Signal. Image. Architecture. aims to clarify the status of computational images in contemporary architectural thought and practice by showing what happens if the technical basis of architecture is examined very closely, if its technical terms and concepts are taken very seriously, at times even literally. It is not a theory of architectural images, but rather a brief philosophical description of architecture after imaging.
Authorship by Authorship critically examines emergent themes in contemporary architecture by revisiting the seemingly defunct notion of design authorship. As we revel in the death of the master architect, how do we come to terms with the shifting role of creativity in architecture's cultural production? In Authorship, a cross-disciplinary group of designers and scholars explores this topic through a myriad of lenses. Subjects include the impact of digital tools and computational scripts on the conception of buildings in the age of robotics, the current climate of appropriation and sampling as a counter-form of authorship, and the rise of reauthored materials in a postdigital age. These questions are cast against alternative ideas of authorship that, in turn, reposition the history of architecture. Featured essays investigate the separation between the personal and the authored while other contributions expose meaning, symbolism, and iconography as the subjects of authority--not authorship. Ultimately, this book dismantles, realigns, and reassembles disparate architectural conditions to form new ways of thinking. Discourse is a biannual publication series that presents timely themes on and around architecture. A selective compilation of essays, interviews, roundtable discussions, featured exhibitions, photo-essays, and collateral materials--such as architectural models, sketches, and built works--highlight architectural culture, practice, and theory.
The Architecture of Closed Worlds by From Aqualungs to the Eden Project: a history of closed systems. What do outer space capsules, submarines and office buildings have in common? Each was conceived as a closed system - a self-sustaining physical environment demarcated from its surroundings by a boundary prohibiting the transfer of matter or energy. As partial reconstructions of the world in time and space, closed systems identify and implement the basic materials necessary for the sustenance of life. From the space program to countercultural architectural groups experimenting with autonomous living, The Architecture of Closed Worlds documents a disciplinary transformation and the rise of a new environmental consciousness. It presents an archive of 39 prototypes from 1928 to the present, creating a genealogy of closed-resource structures. These include the FNRS Balloon (1931), Aqualung (1943), House of the Future (1956), Disney's EPCOT (1966), Bios 3 (1972), Rocky Mountain Institute (1982) and the EDEN Project (2000). Prototypes are presented in archival images with new analysis and illustrations. The book also showcases a timeline of the 39 prototypes that illuminates the ways in which they have contributed to the idea of "net-zero" or "zero-energy" in the contemporary discourse on sustainability. AUTHOR: Lydia Kallipoliti is an architect, engineer and writer, currently Assistant Professor Adjunct at the Cooper Union and at Columbia University in New York. She is the principal of ANAcycle thinktank based in Brooklyn, New York, and the recipient of numerous awards, including a silver medal in the W3 international awards for digital innovation in environmental awareness.
Soft Living Architecture by Soft Living Architecture explores the invention of new architectures based on living processes. It crafts a unique intersection between two fast-developing disciplines: biomimicry and biodesign in architecture, and bioinformatics and natural computing in the natural sciences. This is the first book to examine both the theory and methodology of architecture and design working directly with the natural world. It explores a range of approaches from the use of life-like systems in building design to the employment of actual growing and living cell and tissue cultures as architectural materials - creating architecture that can change, learn and grow with us. The use of 'living architecture' is cutting-edge and speculative, yet it is also inspiring a growing number of designers worldwide to adopt alternative perspectives on sustainability and environmental design. The book examines the ethical and theoretical issues arising alongside case-studies of experimental practice, to explore what we mean by 'natural' in the Anthropocene, and raise deep questions about the nature of design and the design of nature. This provocative and at times controversial book shows why it will become ever more necessary to embrace living processes in architecture if we are to thrive in a sustainable future.
Epics in the Everyday by Architecture and photography share the condition of being suspended between fine art and craft. Realism is considered a given, something that happens almost by default. From the moment it is taken, a photograph is understood to be a record of what was in front of the camera--just as a building, as soon as it is inhabited, becomes the fixed backdrop for everyday life. In Epics in the Everyday, Jesús Vassallo explores this condition, tracing a series of collaborations between architects and photographers from the postwar years up to the present. Consistently, the subject matter of these collaborations is the built environment, which presents architects and photographers--in different ways--with a mirror that challenges the idea of realism in their respective disciplines. Beyond casting a diagonal light on important developments within the two individual disciplines, the book chronicles an alternative history of both modern architecture and photography and builds a case for a specific type of realism found at their intersection. 
X-Ray Architecture by This book explores the impact of medical discourse and diagnostic technologies on the formation, representation, and reception of modern architecture. It challenges the normal understanding of modern architecture by proposing that the architecture of the early twentieth century was shaped by the dominant medical obsession of its time: tuberculosis and its primary diagnostic tool, the X-ray.If architectural discourse has from its beginning associated building and body, the body that it describes is the medical body, reconstructed by each new theory of health. Modern architects pre- sented their architecture as a kind of medical instrument for protecting and enhancing the body. X-ray technology and modern architecture were born around the same time and evolved in parallel. While the X-ray exposed the inside of the body to the public eye, the modern building unveiled its interior, inverting the relationship between private and public.Colomina suggests that if we want to talk about the state of the art in buildings, we should look to the dominant obsessions about illness and the latest techniques of imaging the body-and ask what effects they may have on the way we conceive architecture. AUTHOR: Beatriz Colomina is founding director of the program in Media and Modernity at Princeton University and Professor in the School of Architecture. She has written extensively on the inter- relationships between architecture, art, media, sexuality, and health. SELLING POINTS: *This book discusses a new, compelling theory in architecture that has not been widely discussed before. The author parallels the development of the X-ray with the development of modern architecture. *This book discusses architecture from the early twentieth century to today.
Interior futures by vol. 1. Habituated mediated -- vol. 2. Augmented distributed -- vol. 3. Abstracted negotiated
Stone by Stoneis a fascinating, fresh and insightful global tour of the world's oldest and most beautiful building material Featuring more than 170 structures, from prehistory through to today, the book includes an incredible range of buildings: awe-inspiring Neolithic monuments and the epic Pyramids of Giza feature alongside the work of twentieth-century icons, from Mies van der Rohe's seminal Barcelona Pavilion to Marcel Breuer's daring Met building in New York. There are also projects by the world's best contemporary architects, from Snøhetta's angular Norwegian National Opera and Ballet in Oslo to Kengo Kuma's sculptural Chokkura Plaza in Japan and David Chipperfield's geometric Museo Jumex in Mexico City. Arranged to promote comparison and discussion, each project includes an extended caption providing a perceptive commentary on the building. An elegant and informative visual exploration, Stone demonstrates the remarkable variety of creative and innovative structures the material has inspired around the world.
Future Office by The office is dead. Long live the office. Despite decades of predictions that the office is on the verge of extinction, it is surviving and thriving. Of course, things are changing. And changing fast. Digital technologies are transforming not only the work we do, but also the ways our workplaces are designed, built and operated. Automation and AI mean that some jobs will no longer exist whilst others will be created. But the very essence of the workplace -- human interaction and collaboration, remains as necessary as ever. In fact, it is the human focus that is driving this new age, with four generations now in the workplace together for the first time. Taking an interdisciplinary approach, this book discusses the impacts of these changes on the future of work and workplace. The latest technologies are also explored from voice and digital twins, to new materials such as graphene and battery-powered buildings. 
Theatre of Work by The modern workplace has evolved from a dehumanized cubicle landscape to space designed for intelligent human life. While utility and amenity are vastly improved, what advances have been made in building truly creative communities that spark creativity, knowledge sharing and collaboration? Is the 21st century office performing at peak? Clive Wilkinson - The Theatre of Work proposes an intensified relationship between office users and the space they occupy. The new workspace should amplify and celebrate the activity of work and of human community, and in the process, becoming vital and compelling Theatre.In defining this new landscape, the author examines global developments in workplace thinking, historical antecedents, the performance touch-points for the new office, and proposes seven humanistic principles that will inform a holistic design process that can bring this concept of Theatre to fruition. Each of these principles is demonstrated through case studies of the workof his renowned design studio, Clive Wilkinson Architects (CWA), with rich iconography, diagrammatic strategy and contextual ingenuity. The outcome of this process, with its multiple performative layers, effectively promotes elevating a corporate brief of basic needs and goals to a profoundly human-centred presentation of 'work as theatre'.
Unresolved Legibility in Residential Types by Architectural legibility requires both visual clarity of a building's appearance such that its formal, spatial, and material compositions can be comprehended, as well as a certain clarity of its social, cultural, and political histories. While the term legibility carries a connotation of conclusiveness or objective qualifications, legibility in architecture is most often inconclusive and unresolved. Such unresolved legibility is particularly visible in houses, which are the source of inquiry in this project. This book proposes new understandings and interpretations of American residential architecture by investigating and graphically illustrating the forms, spaces, and histories of ten residential types.Perhaps no genre of architecture has been written about more than 'the house'. As long-standing subjects of architectural discourse, cultural reflection, and experimentation, houses represent a confluence of architectural and broader cultural phenomena. The house is not only susceptible to, but in fact requires renewal and re-imagination; as an architectural type it reflects shifting societal values and the constant reconstruction of meaning that this shifting entails. Such social, cultural, political and contextual circumstances can best be evaluated under the rubric of legibility. While this might at first seem like an objective undertaking, legibility in architecture is indeterminate and unresolved, revealing the intertwining of architectural expressions with broader cultural circumstances.
Bauhaus Futures by Essays, photo-essays, interviews, manifestos, diagrams, and a play explore the varied legacies, influences, and futures of the Bauhaus. What would keep the Bauhaus up at night if it were practicing today? A century after its founding by Walter Gropius in Weimar, Germany, as an "experimental laboratory of the future," who are the pioneering experimentalists who reinscribe or resist Bauhaus traditions? This book explores the varied legacies, influences, and futures of the Bauhaus. Many of the animating issues of the Bauhaus--its integration of research, teaching, and practice; its experimentation with materials; its democratization of design; its open-minded, heterogeneous approach to ideas, theories, methods, and styles--remain relevant. The contributors to Bauhaus Futures address these but go further, considering issues that design has largely ignored for the last hundred years: gender, race, ethnicity, class, sexuality, and disability. Their contributions take the form of essays, photo-essays, interviews, manifestos, diagrams, and even a play. They discuss, among other things, the Bauhaus curriculum and its contemporary offshoots; Bauhaus legacies at the MIT Media Lab, Black Mountain College, and elsewhere; the conflict between the Bauhaus ideal of humanist universalism and current approaches to design concerned with race and justice; designed objects, from the iconic to the precarious; textile and weaving work by women in the Bauhaus and the present day; and design and technology. Contributors Alice Arnold, Jeffrey Bardzell, Shaowen Bardzell, Karen Kornblum Berntsen, Marshall Brown, Stuart Candy, Jessica Charlesworth, Elizabeth J. Chin, Taeyoon Choi, B. Coleman, Carl DiSalvo, Michael J. Golec, Kate Hennessy, Matthew Hockenberry, Joi Ito, Denisa Kera, N. Adriana Knouf, Silvia Lindtner, Shannon Mattern, Ramia Maz , V. Mitch McEwen, Oliver Neumann, Paul Pangaro, Tim Parsons, Nassim Parvin, Joanne Pouzenc, Luiza Prado de O. Martin, Daniela K. Rosner, Natalie Saltiel, Trudi Lynn Smith, Carol Strohecker, Alex Taylor, Martin Thaler, Fred Turner, Andre Uhl, Jeff Watson, Robert Wiesenberger
Off the Wall by -Featuring international hotel and restaurant design at its best, created for brands such as Designhotels, 25 Hours, Superbude, Neni-Restaurants by this award-winning German design firm A beautifully photographed compendium of inventive and inspiring work created over the last 15 years by the award-winning German interior design firm Dreimeta. This book explores their unique approach to every project, and takes a look behind the scenes at their pursuit of adventurous ideas - the soul and the driver of creativity. Pictures, sketches and collages with side notes on hotel, restaurant and bar design projects illuminate the creative process, supplemented with anecdotes and memories from many of those involved - including 'greats' from the hotel industry like Claus Sendlinger (Design Hotels), Kai Hollmann, Christoph Hoffmann (25Hours) and Remo Masala (Thomas Cook).
Guidelines for Design and Construction of Outpatient Facilities by Standards to guide the design and construction of outpatient health care facilities
Hospitals and Medical Facilities by This Construction and Design Manual showcases all aspects of planning hospitals, medical practices, and pharmacies. Around 50 projects are presented in their entirety, accompanied by large photographs, true to scale floor plans, and coloured diagrams. The volume also features scientific contributions concerning methods of planning and questions of design. Additional essays on architectural history and typological classifications make this book, spanning over 400 pages, an indispensable reference work for everyone with an interest in hospital architecture and healthcare design. > Construction data, planning parameters, and regulations for hospitals and medical facilities > True to scale floor plans for different building types and scientific comments >Essential for healthcare design, architecture, and medical administration
Atlas of Mid-Century Modern Houses by A groundbreaking global survey of the finest mid-20th-century homes - one of the most popular styles of our time A fascinating collection of more than 400 of the world's most glamorous homes from more than 290 architects, the Atlas of Mid-Century Modern Housesshowcases work by such icons as Marcel Breuer, Richard Neutra, Alvar Aalto, and Oscar Niemeyer alongside extraordinary but virtually unknown houses in Australia, Africa, and Asia. A thoroughly researched, comprehensive appraisal, this book is a must-have for all design aficionados, Mid-Century Modern collectors, and readers looking for inspiration for their own homes.
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